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summary
Advances critical conversations in Native American literary studies by situating its subject in global, transnational, and modernizing contexts.

Table of Contents

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  1. Cover
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  1. Half Title, Series Info, Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-x
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  1. Foreword
  2. Jace Weaver
  3. pp. xi-xiv
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  1. Acknowledgments
  2. pp. xv-xvi
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  1. Introduction: Globalizing the Word
  2. Scott Richard Lyons
  3. pp. 1-16
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  1. Chapter 1. Empire Treasons: White Earth and the Great War
  2. Gerald Vizenor
  3. pp. 17-48
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  1. Chapter 2. Native American Literary Criticism in Global Context
  2. Arnold Krupat
  3. pp. 49-102
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  1. Chapter 3. “Between Friends and Enemies”: Moving Books and Locating Native Critique in Early Colonial America
  2. Matt Cohen
  3. pp. 103-128
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  1. Chapter 4. “The Search Engine”: Traversing the Local and the Global in the Native Archive
  2. Phillip H. Round
  3. pp. 129-142
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  1. Chapter 5. Migrations to Modernity: The Many Voices of George Copway’s Running Sketches of Men and Places, in England, France, Germany, Belgium, and Scotland.
  2. Scott Richard Lyons
  3. pp. 143-182
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  1. Chapter 6. Emerging from the Background: Photographic Conventions, Stereotypes, and the Ordinariness of the Indian
  2. Kate Flint
  3. pp. 183-214
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  1. Chapter 7. Reading Global Indigenous Resistance in Simon Ortiz’s Fight Back
  2. Eric Cheyfitz
  3. pp. 215-238
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  1. Chapter 8. Productive Tensions: Trans/national, Trans-/Indigenous
  2. Chadwick Allen
  3. pp. 239-256
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  1. Chapter 9. “The Right to Enjoy All Human Rights”: The UN Declaration on the Rights of Indigenous Peoples and the Potential for Decolonial Cosmopolitanism
  2. Elvira Pulitano
  3. pp. 257-282
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  1. Afterword
  2. Shari M. Huhndorf
  3. pp. 283-296
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  1. Contributors
  2. pp. 297-300
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  1. Index
  2. pp. 301-330
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  1. Back Cover
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