In this Book

summary
Working with the concept that politics is performative and performance is political, this book brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. List of illustrations
  2. p. ix
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  1. Contributors
  2. pp. x-xii
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  1. Acknowledgements
  2. pp. xiii-xiv
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  1. Introduction: the politics of performance and the performance of politics:
  2. Peter Yeandle and Katherine Newey
  3. pp. 1-16
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  1. I Conceptualising performance, theorising politics
  2. pp. 17-20
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  1. 1 ‘To the last drop of my blood’: melodrama and politics in late Georgian England
  2. Robert Poole
  3. pp. 21-43
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  1. 2 The platform and the stage: the primary aesthetics of Chartism
  2. Mike Sanders
  3. pp. 44-58
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  1. 3 Bubbles of the day: the melodramatic and the pantomimic
  2. Katherine Newey
  3. pp. 59-74
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  1. 4 Theatrical hierarchy, cultural capitaland the legitimate/illegitimate divide
  2. Caroline Radcliffe
  3. pp. 75-95
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  1. 5 Performance for imagined communities: Gladstone, the National Theatre and contested didactics of the stage
  2. Anselm Heinrich
  3. pp. 96-110
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  1. 6 Women’s suffrage and theatricality
  2. Sos Eltis
  3. pp. 111-128
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  1. II Politics in performance
  2. pp. 129-130
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  1. 7 English pantomime and the Irish Question
  2. Jill A. Sullivan
  3. pp. 131-151
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  1. 8 ‘Executed with remarkable care and artistic feeling’: popular imperialism and the music hall ballet
  2. Jane Pritchard and Peter Yeandle
  3. pp. 152-173
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  1. 9 Drury Lane imperialism
  2. Jeffrey Richards
  3. pp. 174-194
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  1. III The performance of politics
  2. pp. 195-198
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  1. 10 ‘Love, bitter wrong, freedom, sad pity, and lust of power’: politics and performance in 1820
  2. Malcolm Chase
  3. pp. 199-215
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  1. 11 Sir Robert Peel as actor-dramatist
  2. Richard Gaunt
  3. pp. 216-236
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  1. 12 The performance of protest: the 1889 dock strike on and off the stage
  2. Janice Norwood
  3. pp. 237-258
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  1. 13 Class, performance and socialist politics: the political campaigns of early labour leaders
  2. Marcus Morris
  3. pp. 259-275
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  1. Index
  2. pp. 276-279
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