In this Book

  • Experimental Writing: Africa vs Latin America Vol 1
  • Book
  • Rinos Mwanaka
  • 2017
  • Published by: LANGAA RPCIG
summary
This project come out from our need to harness voices in Africa and Latin America, giving these voices an opportunity to converse, argue, synthesize, agree, and share ideas on the craft of writing, on life, on being and on thinking for the benefit of all. It was also an opportunity to create literary friendships and contacts between these two great regions. Generally, Latin America and Africa still have a lot of stories to share among themselves and with the rest of the world. There are still very strong untapped storytelling traditions in these continents. The stories in this volume are selected from an amazing range of entries to a call for contributions to an anthology on experimentation. It is hoped this robust selection will serve a wide variety of tastes in both Spanish and English, and that the book will open dialogue and the sharing of ideas between the two regions and the whole world. This is an invaluable contribution on many fronts.

Table of Contents

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  1. Cover
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  1. Title page, Copyright page
  2. pp. i-ii
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  1. Contributors Bio Notes / Notas Biograficas De LosAutores
  2. pp. iii-xvi
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  1. Contents / Contenidos
  2. pp. xvii-xxii
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  1. Introduction / Introducción
  2. pp. xxiii-xxx
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  1. FICTION / FICCION
  2. pp. 1-2
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  1. River Blindness
  2. By Stacy Hardy
  3. pp. 3-16
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  1. The Tattoo: Love Redefined
  2. By Ikechukwu Nwaogu
  3. pp. 17-26
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  1. Zaina’s Song
  2. by Enock I. Simbaya
  3. pp. 27-32
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  1. Exhibit One
  2. By Mystique-Syn O. Osuchukwu.
  3. pp. 33-40
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  1. Ghosts of Kuto
  2. by Afopefoluwa Ojo
  3. pp. 41-48
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  1. The Fall
  2. By Shannon Hopkins
  3. pp. 49-54
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  1. Seeking Wild Women
  2. By Andrea Ward
  3. pp. 55-62
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  1. The Vegetable Truth
  2. by Ayo Oyeku
  3. pp. 63-68
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  1. The Poachers Son
  2. By Yugo Gabriel Egboluche
  3. pp. 69-74
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  1. The Coward
  2. by Louis E. Bourgeois
  3. pp. 75-80
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  1. The Praegustator Who Spied on the World
  2. By Samuel Kolawole
  3. pp. 81-92
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  1. Lonely Souls
  2. By Ntando Nzuza
  3. pp. 93-100
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  1. Alcohol sufficiency syndrome
  2. By Erhu Amreyan
  3. pp. 101-108
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  1. Backfire
  2. By Natisha Parsons
  3. pp. 109-124
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  1. The Man who killed my brother!
  2. By Eliza Mabungu
  3. pp. 125-134
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  1. Taxi Directo
  2. By Ludwing Varela
  3. pp. 135-140
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  1. La Loba, La Flor Y El Pájaro
  2. By Sóira Celestino
  3. pp. 141-146
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  1. The Wolf, The Flower And The Bird
  2. By Sóira Celestino
  3. pp. 147-152
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  1. Conferencia de Hocquetot en la Universidad Desconocida
  2. By Gustavo Campos
  3. pp. 153-162
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  1. POETRY / POESIA
  2. pp. 163-164
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  1. La casa sin sombra
  2. by Claudio Archubi
  3. pp. 165-166
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  1. House without shadow
  2. by Claudio Archubi
  3. pp. 167-168
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  1. Dijeron ellos mismos, los que se fueron
  2. By Claudio Archubi
  3. pp. 169-170
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  1. They said themselves, the ones that were gone
  2. By Cladio Archubi
  3. pp. 171-172
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  1. Él y ella se escucharon
  2. By Claudio Archubi
  3. pp. 173-177
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  1. He and she heard each other
  2. By Claudio Archubi
  3. pp. 178-182
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  1. Fragmentos De Raimunda
  2. By Carmen Berenguer
  3. p. 183
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  1. Irene Paulova es la reina de las noches moscovitas
  2. By Carmen Berenguer
  3. p. 184
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  1. Sayal de pieles
  2. By Carmen Berenguer
  3. pp. 185-186
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  1. Era Mi Hermana
  2. By Chary Gumeta
  3. pp. 187-188
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  1. Marcela
  2. By Chary Gumeta
  3. p. 189
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  1. Sucumbía la noche
  2. By Chary Gumeta
  3. p. 190
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  1. Perla y Jade
  2. By Leticia Luna
  3. p. 191
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  1. Jade y Perla
  2. By Leticia Luna
  3. p. 192
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  1. Hora lunar
  2. By Leticia Luna
  3. p. 193
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  1. El Odre Del Caos
  2. By Leticia Luna
  3. p. 194
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  1. Tercer canto (la conquista)
  2. By Héctor Flores
  3. p. 195
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  1. La tribu Tepemechín
  2. By Héctor Flores
  3. p. 196
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  1. Negro que vistes de colores
  2. By Héctor Flores
  3. pp. 197-198
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  1. Alas De Paloma
  2. By Javier Alvarado
  3. pp. 199-201
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  1. Las Ausencias Salvajes
  2. By Javier Alvarado
  3. pp. 202-203
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  1. Donde
  2. By Javier Alvarado
  3. p. 204
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  1. Ajedrez
  2. By Luis Carlos Mussó
  3. p. 205
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  1. Estación sin nombre
  2. By Luis Carlos Mussó
  3. p. 206
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  1. Década
  2. By Manuel Padilla Luna
  3. pp. 207-209
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  1. Leyes y delitos naturales
  2. By Manuel Padilla Luna
  3. pp. 210-211
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  1. Tríptico: Los niños y la muerta
  2. By Manuel Padilla Luna
  3. pp. 212-214
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  1. Ritual
  2. By Murvin Andino Jiménez
  3. p. 215
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  1. El otro mineral
  2. By Murvin Andino Jiménez
  3. p. 216
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  1. La voz olvidada
  2. By Murvin Andino Jiménez
  3. pp. 217-218
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  1. Antioración
  2. By Pedro Arturo Estrada
  3. p. 219
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  1. Silencioso Horror
  2. By Pedro Arturo Estrada
  3. p. 220
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  1. Permanencia
  2. By Pedro Arturo Estrada
  3. p. 221
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  1. Original Apologies
  2. By Lydia Nyachiro Kasese
  3. p. 222
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  1. Letter to Harriet
  2. By Lind Grant-Oyeye
  3. p. 223
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  1. It Is So Painful
  2. By M Baraka Kagira-Kargbo
  3. p. 224
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  1. fat fish jumping
  2. By archie swanson
  3. p. 225
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  1. Homeland
  2. By Eniola Olaosebikan
  3. p. 226
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  1. Sahara Blues XIII
  2. By Vincent Ajise
  3. pp. 227-228
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  1. Beloved Afrika
  2. By Kariuki wa Nyamu
  3. pp. 229-230
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  1. Love In Four Stanzas
  2. By Kariuki wa Nyamu
  3. pp. 231-232
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  1. Love letters III
  2. By Olisaemeka Gerald Njoku
  3. p. 233
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  1. Untitled
  2. By Ali Znaidi
  3. p. 234
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  1. Conflicting Rationalities
  2. By Cosmas Tinashe Shoko
  3. p. 235
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  1. Emma The Jewish Girl
  2. By Jackson T. Matimba
  3. pp. 236-238
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  1. rpm (rhetorical paradoxi-metaphorisis)
  2. By Abdulrahman M. Abu-yaman
  3. p. 239
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  1. Do you know about Illicit?
  2. By Delia Watterson
  3. pp. 240-241
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  1. In Quarantine
  2. By Crystal Warren
  3. p. 242
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  1. As The World Turns
  2. By Crystal Warren
  3. p. 243
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  1. The Music
  2. By Kelechukwu Ezeigwe
  3. pp. 244-245
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  1. The Cemetery Letter To A Gone Soldier
  2. By Kelechukwu Ezeigwe
  3. p. 246
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  1. Men unfit for Mankind
  2. By NuBlaccSoUl
  3. pp. 247-248
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  1. The white flag is burning not waving
  2. By NuBlaccSoUl
  3. p. 249
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  1. It Starts with a Spark
  2. By JoPro Blog
  3. pp. 250-251
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  1. I Run
  2. By Khaya Ronkainen
  3. pp. 252-253
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  1. Forgetting
  2. By Nabeela Bhabha
  3. pp. 254-255
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  1. Every bit of dust and air
  2. By Abigail George
  3. pp. 256-257
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  1. The struggle for creativity in Africa
  2. By Abigail George
  3. pp. 258-259
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  1. A Little Harder
  2. By Paul Sezzie
  3. p. 260
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  1. My Eternal
  2. By Ehi’zogie Iyeomoan
  3. p. 261
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  1. A lullaby for Matshidiso
  2. By Thabo Mooke
  3. pp. 262-263
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  1. Beyond Condomonium
  2. By Wanjohi Wa Makokha (Kenya)
  3. pp. 264-268
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  1. MIXED GENRES / GENEROS MIXTOS
  2. pp. 269-270
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  1. Voices
  2. By Tendai R Mwanaka
  3. pp. 271-282
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  1. “Too ordinary” or acting out Jesus in the theatre of life or visceversa chapter III
  2. By Ricardo Felix Rodriguez
  3. pp. 283-288
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  1. The Necessary
  2. By Troydon Wainwright
  3. pp. 289-300
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  1. The Old Woman in the Threshold
  2. By Obinna Udenwe
  3. pp. 301-308
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  1. Quest for my dignity
  2. By Connie Fick
  3. pp. 309-314
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  1. Revolutionary diaries
  2. by Anton Krueger
  3. pp. 315-318
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  1. PLAYS / OBRAS DE TEATRO
  2. pp. 319-320
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  1. Los Viajeros
  2. By Martin Sosa Cameron
  3. pp. 321-328
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  1. NON FICTION / NO FICCION
  2. pp. 329-330
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  1. A short personal essay on writing
  2. By Oroni Tendera
  3. pp. 331-332
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  1. Back cover
  2. p. 333
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