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summary
The sixty-three fiction writers and poets within this anthology delve deep into the many senses of place that modern West Virginia, the core of Appalachia, inspires.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
 

Table of Contents

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  1. Cover
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  1. Accolades, Title Page, Copyright
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  1. To My Reader
  2. Irene McKinney
  3. pp. v-vi
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  1. Table of Contents
  2. pp. x-xvii
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  1. Introduction
  2. Laura Long, Doug Van Gundy
  3. pp. 1-2
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  1. Olives
  2. Gail Galloway Adams
  3. pp. 3-4
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  1. And Then I Arrive at the Powerful Green Hill
  2. Maggie Anderson
  3. p. 5
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  1. A Blessing
  2. Maggie Anderson
  3. p. 6
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  1. Mercy
  2. Pinckney Benedict
  3. pp. 7-17
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  1. Vow of Silence
  2. Laura Treacy Bentley
  3. p. 18
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  1. Stone-Hearted
  2. Michael Blumenthal
  3. pp. 19-20
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  1. “What if There Weren’t Any Stars?”
  2. Ace Boggess
  3. p. 21
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  1. The Rink Girl
  2. Mark Brazaitis
  3. pp. 22-37
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  1. The Dream of the Father
  2. Joy Castro
  3. pp. 38-40
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  1. Through the Still Hours
  2. Jonathan Corcoran
  3. pp. 41-54
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  1. The Boys of Bradleytown
  2. Ed Davis
  3. pp. 55-59
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  1. August, West Virginia
  2. Mark DeFoe
  3. pp. 60-61
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  1. The Dirt Road
  2. Cheryl Denise
  3. pp. 62-63
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  1. Waking to Spring
  2. Cheryl Denise
  3. pp. 64-65
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  1. Jennie
  2. Andrea Fekete
  3. pp. 66-67
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  1. Thin Places
  2. Denise Giardina
  3. pp. 68-71
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  1. On Finally Blaming Myself a Little Finally
  2. Maggie Glover
  3. p. 72
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  1. Almost Heaven, Almost Famous
  2. Crystal Good
  3. pp. 73-74
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  1. Kennedy Wins West Virginia!
  2. James Harms
  3. pp. 75-77
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  1. Shed
  2. Marc Harshman
  3. p. 78
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  1. With No Questions
  2. Marc Harshman
  3. pp. 79-80
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  1. Quilting
  2. Rajia Hassib
  3. pp. 81-90
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  1. A Jar of Rain
  2. John Hoppenthaler
  3. pp. 91-92
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  1. Phantom Flesh
  2. Ron Houchin
  3. p. 93
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  1. Family Portrait With Spider Web
  2. Ron Houchin
  3. p. 94
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  1. Appalachian Ghost
  2. Norman Jordan
  3. p. 95
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  1. Dark Early
  2. Laura Long
  3. pp. 96-100
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  1. Belle Fleur
  2. Marie Manilla
  3. pp. 101-107
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  1. A History of Barbed Wire
  2. Jeff Mann
  3. pp. 108-111
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  1. Chokedamp
  2. Mesha Maren
  3. pp. 112-120
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  1. From: The Pale Light of Sunset: Scattershots and Hallucinations in an Imagined Life
  2. Lee Maynard
  3. pp. 121-125
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  1. Picking Blackberries
  2. Scott McClanahan
  3. pp. 126-129
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  1. I Have Slept in Beds and in Gutters
  2. John McKernan
  3. pp. 130-131
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  1. Helen, Sovereign
  2. Llewellyn McKernan
  3. pp. 132-134
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  1. Homage to Hazel Dickens
  2. Irene McKinney
  3. pp. 135-136
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  1. Zach Speaks
  2. Devon McNamara
  3. pp. 137-138
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  1. Camping as Boys in the Cow Field
  2. Kelly McQuain
  3. p. 139
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  1. Ritual
  2. Kelly McQuain
  3. pp. 140-141
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  1. Quarantine
  2. Rahul Mehta
  3. pp. 142-155
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  1. Robbing Pillars
  2. Sheryl Monks
  3. pp. 156-160
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  1. Dogwood, Cardinal
  2. Mary B. Moore
  3. p. 161
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  1. Boy Killed on the Grafton Road
  2. Renée K. Nicholson
  3. p. 162
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  1. Apocrypha
  2. Valerie Nieman
  3. pp. 163-164
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  1. Natural Resources
  2. Matthew Neill Null
  3. pp. 165-169
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  1. Me and My Daddy Listen to Bob Marley
  2. Ann Pancake
  3. pp. 170-188
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  1. From: Lark and Termite
  2. Jayne Anne Phillips
  3. pp. 189-202
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  1. What’s Left of the Jamie Archer Band
  2. Sara Pritchard
  3. pp. 203-219
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  1. West Virginia, or What Do You Want Me to Say?
  2. Mary Ann Samyn
  3. p. 220
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  1. Path
  2. Elizabeth Savage
  3. p. 221
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  1. Uninsured
  2. Elizabeth Savage
  3. p. 222
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  1. The Hillbilly Break-dance and the Talking Crow
  2. Steve Scafidi
  3. pp. 223-224
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  1. The West Virginia Copper-Wing
  2. Steve Scafidi
  3. pp. 225-226
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  1. Crepuscule
  2. Angela Shaw
  3. pp. 227-228
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  1. West Virginia Spring
  2. Angela Shaw
  3. p. 229
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  1. Don’t Think Like the Mountains, They’re Nothing Like the Future
  2. Kent Shaw
  3. pp. 230-231
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  1. Letter to an Unknown, and Probably Deceased, Photographer
  2. Anita Skeen
  3. pp. 232-233
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  1. In the Chemical Valley
  2. Anita Skeen
  3. pp. 234-235
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  1. Lessons
  2. Aaron Smith
  3. p. 236
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  1. Point Blank
  2. Ida Stewart
  3. pp. 237-238
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  1. Soil
  2. Ida Stewart
  3. p. 239
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  1. Her
  2. Kevin Stewart
  3. pp. 240-247
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  1. Recovering Blues
  2. A. E. Stringer
  3. pp. 248-249
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  1. Lettuce
  2. Natalie Sypolt
  3. pp. 250-254
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  1. Cortège
  2. Glenn Taylor
  3. pp. 255-262
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  1. Solvo
  2. Vince Trimboli
  3. p. 263
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  1. Edna
  2. Jessie van Eerden
  3. pp. 264-269
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  1. Country Music
  2. Doug Van Gundy
  3. pp. 270-271
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  1. Bear Country Blues
  2. John Van Kirk
  3. pp. 272-281
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  1. Relapse Means I Forgot to Be Better
  2. Erin Veith
  3. pp. 282-283
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  1. The Field
  2. Ryan Walsh
  3. pp. 284-285
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  1. Daddy Longlegs
  2. Randi Ward
  3. p. 286
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  1. Grandma
  2. Randi Ward
  3. p. 287
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  1. The Roy Critchfield Scandals
  2. Meredith Sue Willis
  3. pp. 288-299
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  1. Absentee
  2. William Woolfitt
  3. p. 300
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  1. To Toil Not
  2. William Woolfitt
  3. pp. 301-302
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  1. Contributors
  2. pp. 303-312
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  1. Acknowledgments
  2. pp. 313-314
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  1. Credits
  2. pp. 315-320
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