In this Book

summary

Identifying who was "inside" and who was "outside" the Soviet/Russian body politic has been a matter of intense and violent urgency, especially in the high Stalinist and post-Soviet periods. It is a theme encountered prominently in film. Employing a range of interpretive methods practiced in Russian/Soviet film studies, Insiders and Outsiders in Russian Cinema highlights the varied ways that Russian and Soviet cinema constructed otherness and foreignness. While the essays explore the "us versus them" binary well known to students of Russian culture and the ways in which Russian films depicted these distinctions, the book demonstrates just how impossible maintaining this binary proved to be.

Contributors are Anthony Anemone, Julian Graffy, Peter Kenez, Joan Neuberger, Stephen M. Norris, Oleg Sulkin, Yuri Tsivian, Emma Widdis, and Josephine Woll.

Table of Contents

restricted access Download Full Book
  1. Half Title, Title Page, Copyright
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. v-vi
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. pp. vii-viii
  3. restricted access
    • Download PDF Download
  1. Introduction: Insiders and Outsiders in Russian Cinema
  2. Stephen M. Norris
  3. pp. ix-xviii
  4. restricted access
    • Download PDF Download
  1. 1. The Foreigner’s Journey to Consciousness in Early Soviet Cinema: The Case of Protazanov’s Tommi
  2. Julian Graffy
  3. pp. 1-22
  4. restricted access
    • Download PDF Download
  1. 2. The Wise and Wicked Game: Reediting, Foreignness, and Soviet Film Culture of the Twenties
  2. Yuri Tsivian
  3. pp. 23-47
  4. restricted access
    • Download PDF Download
  1. 3. Dressing the Part: Clothing Otherness in Soviet Cinema before 1953
  2. Emma Widdis
  3. pp. 48-67
  4. restricted access
    • Download PDF Download
  1. 4. Under the Big Top: America Goes to the Circus
  2. Josephine Woll
  3. pp. 68-80
  4. restricted access
    • Download PDF Download
  1. 5. Eisenstein’s Cosmopolitan Kremlin: Drag Queens, Circus Clowns, Slugs, and Foreigners in Ivan the Terrible
  2. Joan Neuberge
  3. pp. 81-95
  4. restricted access
    • Download PDF Download
  1. 6. The Picture of the Enemy in Stalinist Films
  2. Peter Kenez
  3. pp. 96-112
  4. restricted access
    • Download PDF Download
  1. 7. Identifying the Enemy in Contemporary Russian Film
  2. Oleg Sulkin
  3. pp. 113-126
  4. restricted access
    • Download PDF Download
  1. 8. About Killers, Freaks, and Real Men: The Vigilante Hero of Aleksei Balabanov’s Films
  2. Anthony Anemone
  3. pp. 127-141
  4. restricted access
    • Download PDF Download
  1. 9. Fools and Cuckoos: The Outsider as Insider in Post-Soviet War Films
  2. Stephen M. Norris
  3. pp. 142-162
  4. restricted access
    • Download PDF Download
  1. List of Contributors
  2. pp. 163-166
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 167-180
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.