In this Book

summary
Javier F. León and Helena Simonett curate a collection of essential writings from the last twenty-five years of Latin American music studies. Chosen as representative, outstanding, and influential in the field, each article appears in English translation. A detailed new introduction by León and Simonett both surveys and contextualizes the history of Latin American ethnomusicology, opening the door for readers energized by the musical forms brought and nurtured by immigrants from throughout Latin America.

Contributors include Marina Alonso Bolaños, Gonzalo Camacho Díaz, José Jorge de Carvalho, Claudio F. Díaz, Rodrigo Cantos Savelli Gomes, Juan Pablo González, Rubén López-Cano, Angela Lühning, Jorge Martínez Ulloa, Maria Ignêz Cruz Mello, Julio Mendívil, Carlos Miñana Blasco, Raúl R. Romero, Iñigo Sánchez Fuarros, Carlos Sandroni, Carolina Santamaría-Delgado, Rodrigo Torres Alvarado, and Alejandro Vera.

Table of Contents

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  1. Cover
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  1. Half Title, Title Page, Copyright, In Memoriam
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  1. Contents
  2. pp. vii-viii
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  1. Preface
  2. Javier F. León
  3. pp. ix-xii
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  1. One Hundred Years of Latin American Music Scholarship: An Overview
  2. Helena Simonett, Michael Marcuzzi
  3. pp. 1-68
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  1. Part One. Academic Lineages, Disciplinary Canons, and Historiographies: Introduction
  2. Javier F. León
  3. pp. 69-74
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  1. 1. Music Research in South America
  2. Raúl R. Romero
  3. pp. 75-93
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  1. 2. Between Folklore and Ethnomusicology: Sixty Years of Folk and Vernacular Music Studies in Colombia
  2. Carlos Miñana Blasco
  3. pp. 94-119
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  1. 3. Popular Musicology in Latin America: Synthesis of Its Accomplishments, Problems, and Challenges
  2. Juan Pablo González
  3. pp. 120-145
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  1. 4. The Construction of History: The Charango in the Collective Memory of Mestizo Ayacucho
  2. Julio Mendívil
  3. pp. 146-160
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  1. 5. Decline or Progress? Eighteenth-Century Music and Nineteenth-Century Nationalism
  2. Alejandro Vera
  3. pp. 161-193
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  1. 6. The Bambuco, Hybrid Knowledges, and the Academy: A Historical Analysis of the Persistence of Coloniality in Latin America Musical Studies
  2. Carolina Santamaría-Delgado
  3. pp. 194-214
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  1. Part Two. Popular Music, Style, and the Social Construction of Genre: Introduction
  2. Javier F. León
  3. pp. 215-220
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  1. 7. Notes for a Prehistory of Mambo
  2. Rubén López-Cano
  3. pp. 221-249
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  1. 8. “I Got Phrasing”: Changes in Samba’s Melodic Rhythm, 1917–1933
  2. Carlos Sandroni
  3. pp. 250-257
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  1. 9. Singing Difference: Violeta Parra and Chilean Song
  2. Rodrigo Torres Alvarado
  3. pp. 258-278
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  1. 10. The Nuevo Cancionero Movement: A Change of Paradigm in Argentine Folklore
  2. Claudio F. Díaz
  3. pp. 279-302
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  1. 11. Timba, Rumba, and “Appropriation from the Inside”
  2. Iñigo Sánchez Fuarros
  3. pp. 303-317
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  1. 12. Gender and Brazilian Popular Music: A Study of Female Bands
  2. Rodrigo Cantos Savelli Gomes, Maria Ignêz Cruz Mello
  3. pp. 318-330
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  1. Part Three. Alternate Genealogies, Marginal Ontologies, and Applied Ethnomusicology: Introduction
  2. Javier F. León
  3. pp. 331-342
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  1. 13. Myth, Music, and Dance: The Chicomexochitl
  2. Gonzalo Camacho Díaz
  3. pp. 343-355
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  1. 14. Indigenous Music and Identity: Musical Spaces of Urban Mapuche Communities
  2. Jorge Martínez Ulloa
  3. pp. 356-378
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  1. 15. Brazilian Ethnomusicology as Participatory Ethnomusicology: Anxieties Regarding Brazilian Musics
  2. Angela Lühning
  3. pp. 379-392
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  1. 16. Applied Ethnomusicology: A Critical History of Indigenous Music Studies in Mexico
  2. Marina Alonso Bolaños
  3. pp. 393-405
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  1. 17. Metamorphosis of Afro-Brazilian Performance Traditions: From Cultural Heritage to the Entertainment Industry
  2. José Jorge de Carvalho
  3. pp. 406-430
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  1. Contributors
  2. pp. 431-440
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  1. Index
  2. pp. 441-450
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