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Broader in scope than any previous literary study of the transcendentalists, this rewarding book analyzes the theories and forms characteristic of a vital group of American writers, as well as the principles and vision underlying transcendentalism. All the movement's major literary figures and forms are considered in detail.

Lawrence Buell combines intellectual history and critical explication, giving equal attention to general trends and to particular works and individuals. His chapters on conversation, religious discourse, catalog rhetoric, and literary travelogue treat intensively topics that have been relatively neglected. His analyses of Ellery Channing's poetry and the use of persona in Emerson and Very are also innovative. In the final section, he offers the first systematic account of the autobiographical tradition in transcendentalist writing.

This incisive and sympathetic overview of transcendentalist writing and thought will attract readers interested in American culture, and it will suggest new critical approaches to nonfiction.

Broader in scope than any previous literary study of the transcendentalists, this rewarding book analyzes the theories and forms characteristic of a vital group of American writers, as well as the principles and vision underlying transcendentalism. All the movement's major literary figures and forms are considered in detail. Lawrence Buell combines intellectual history and critical explication, giving equal attention to general trends and to particular works and individuals. His chapters on conversation, religious discourse, catalog rhetoric, and literary travelogue treat intensively topics that have been relatively neglected. His analyses of Ellery Channing's poetry and the use of persona in Emerson and Very are also innovative. In the final section, he offers the first systematic account of the autobiographical tradition in transcendentalist writing.This incisive and sympathetic overview of transcendentalist writing and thought will attract readers interested in American culture, and it will suggest new critical approaches to nonfiction.

Table of Contents

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  1. Cover
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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. i-viii
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  1. Title Page
  2. p. iii
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  1. Contents
  2. pp. ix-x
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  1. Dedication
  2. p. v
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  1. Abbreviations
  2. pp. xi-xiv
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction
  2. pp. 1-20
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  1. PART I. Background and General Principles
  2. pp. 21-22
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  1. Abbreviations
  2. pp. xi-xii
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  1. 1. The Emergence of the Transcendentalist Aesthetic from American Unitarianism
  2. pp. 23-54
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  1. Introduction
  2. pp. 1-20
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  1. 2. Transcendentalist Literary Method: Inspiration versus Craftsmanship
  2. pp. 55-74
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  1. PART I. BACKGROUND AND GENERAL PRINCIPLES
  2. pp. 21-22
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  1. PART II. The Living Word
  2. pp. 75-76
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  1. 1 The Emergence of the Transcendentalist Aesthetic from American Unitarianism
  2. pp. 23-54
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  1. 3. From Conversation to Essay
  2. pp. 77-101
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  1. 2 Transcendentalist Literary Method: Inspiration versus Craftsmanship
  2. pp. 55-74
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  1. 4. From Sermon to Scripture
  2. pp. 102-140
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  1. PART II. THE LIVING WORD
  2. pp. 75-76
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  1. PART III. Word and World: Nature As a Model for Literary Form
  2. pp. 141-144
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  1. 3 From Conversation to Essay
  2. pp. 77-101
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  1. 5. Emerson and the Idea of Microcosmic Form
  2. pp. 145-165
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  1. 4 From Sermon to Scripture
  2. pp. 102-140
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  1. 6. Catalogue Rhetoric
  2. pp. 166-187
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  1. PART III. WORD AND WORLD: NATURE AS A MODEL FOR LITERARY FORM
  2. pp. 141-144
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  1. 7. Thoreau and the Literary Excursion
  2. pp. 188-207
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  1. 5 Emerson and the Idea of Microcosmic Form
  2. pp. 145-165
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  1. 8. Thoreau's A Week
  2. pp. 208-238
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  1. 6 Catalogue Rhetoric
  2. pp. 166-187
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  1. 9. Ellery Channing: The Major Phase of a Minor Poet
  2. pp. 239-262
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  1. 7 Thoreau and the Literary Excursion
  2. pp. 188-207
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  1. PART IV. The First Person
  2. pp. 263-264
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  1. 8 Thoreau’s A Week
  2. pp. 208-238
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  1. 10. Transcendentalist Self-Examination and Autobiographical Tradition
  2. pp. 265-283
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  1. 9 Ellery Channing: The Major Phase of a Minor Poet
  2. pp. 239-262
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  1. 11. Emerson and Thoreau: Soul versus Self
  2. pp. 284-311
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  1. PART IV. THE FIRST PERSON
  2. pp. 263-264
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  1. 12. Transcendental Egoism in Very and Whitman
  2. pp. 312-330
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  1. 10. Transcendentalist Self-Examination and Autobiographical Tradition
  2. pp. 265-283
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  1. Index
  2. pp. 331-336
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  1. 11. Emerson and Thoreau: Soul versus Self
  2. pp. 284-311
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  1. 12. Transcendental Egoism in Very and Whitman
  2. pp. 312-330
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  1. Index
  2. pp. 331-336
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  1. Copyright
  2. p. iv
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