In this Book

summary
Original essays by American and British scholars offer a reader-friendly introduction to the work of Angela Carter, Doris Lessing, and a dozen other British women writers

British women in the second half of the 20th century have produced a body of work that is as diverse as it is entertaining. This book offers an informal, jargon-free introduction to the fiction of sixteen contemporary writers either brought up or now living in England, from Muriel Spark to Jeanette Winterson.

British Women Writing Fiction presents a balanced view comprising women writing since the 1950s and 1960s, those who attracted critical attention during the 1970s and 1980s, and those who have burst upon the literary scene more recently, including African-Caribbean and African women. The essays show how all of these writers treat British subjects and themes, sometimes from radically different perspectives, and how those who are daughters of immigrants see themselves as women writing on the margins of society.

Abby Werlock's introduction explores the historical and aesthetic factors that have contributed to the genre, showing how even those writers who began in a traditional vein have created experimental work. The contributors provide complete bibliographies of each writer's works and selected bibliographies of criticism. Exceptional both in its breadth of subjects covered and critical approaches taken, this book provides essential background that will enable readers to appreciate the singular merits of each writer. It offers an approach toward better understanding favorite authors and provides a way to become acquainted with new ones.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Foreword
  2. Regina Barreca
  3. pp. ix-xii
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  1. Acknowledgments
  2. pp. xiii-xvi
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  1. Introduction
  2. Abby H. P. Werlock
  3. pp. 1-22
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  1. 1. Iris Murdoch: Mapping the Country of Desire
  2. Roberta S. White
  3. pp. 23-41
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  1. 2. “Transformed and Translated”: The Colonized Reader of Doris Lessing’s Canopus in Argos Space Fiction
  2. Susan Rowland
  3. pp. 42-55
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  1. 3. P.D. James and the Dissociation of Sensibility
  2. Eric Nelson
  3. pp. 56-69
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  1. 4. Retrofitting the Raj: Ruth Prawer Jhabvala and the Uses and Abuses of the Past
  2. Judie Newman
  3. pp. 70-89
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  1. 5. Anita Brookner: On Reaching for the Sun
  2. Kate Fullbrook
  3. pp. 90-106
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  1. 6. “Witness to Their Vanishing”: Elaine Feinstein’s Fictions of Jewish Continuity
  2. Phyllis Lassner
  3. pp. 107-124
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  1. 7. “Women Like Us Must Learn to Stick Together”: Lesbians in the Novels of Fay Weldon
  2. Patricia Juliana Smith
  3. pp. 125-147
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  1. 8. Crossing Boundaries: The Female Artist and the Sacred Word in A. S. Byatt's Possession
  2. Deborah Denenholz Morse
  3. pp. 148-174
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  1. 9. Emma Tennant: The Secret Lives of Girls
  2. Marilyn C. Wesley
  3. pp. 175-190
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  1. 10. Margaret Drabble: Chronicler, Moralist, Artist
  2. Mary Rose Sullivan
  3. pp. 191-212
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  1. 11. To Pose or Not to Pose: The Interplay of Object and Subject in the Works of Angela Carter
  2. Dee Goertz
  3. pp. 213-228
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  1. 12. During Mother’s Absence: The Fiction of Michèle Roberts
  2. Clare Hanson
  3. pp. 229-247
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  1. 13. Navigating the Interior Journey: The Fiction of Jeanette Winterson
  2. Jan Rosemergy
  3. pp. 248-269
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  1. 14. Sea Changes: African-Caribbean and African Women Writers in England
  2. Laura Niesen de Abruña
  3. pp. 270-292
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  1. 15. Muriel Spark: Beginning Again
  2. John Glavin
  3. pp. 293-314
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  1. Contributors
  2. pp. 315-320
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  1. Index
  2. pp. 321-330
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