In this Book

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Sait Faik may well be named "the Turkish Chekhov." In Turkey, critics and readers regard him as their finest short story writer. Since his death in 1954 at the age of forty-eight, his stature has grown on the strength of his narrative art, which is both realistic and whimsical with a poetic touch. Süha Oguzertem, a premier authority on Turkish fiction, writes in his introduction to Sleeping in the Forest that "As an anti-bourgeois writer and fierce democrat, Sait Faik has always sided with the underdog" and that no characters remain " 'common' or 'ordinary' once they enter Sait Faik's stories; his piercing gaze and thoughtful vision transform them lovingly into unique beings."

Sait Faik's fiction ranges from the realistic to the surrealistic, from the romantic to the modern, from the cynical to the compassionate. With virtuosic skill, he captures the spirit and the spleen of the city of Istanbul and its environs. In evoking the mystery of that great metropolis through such ordinary characters as Armenian fishermen, Greek Orthodox priests, and the disillusioned and disfranchised, he creates for us a marvelous microcosm of tragicomedy. Few writers, in Turkey or elsewhere, command Sait Faik's mastery of the ironic.

Sleeping in the Forest features twenty-two stories, an excerpt from a novella, and fifteen poems rendered into English by some of the best-known translators of Turkish literature. Sait Faik's chiaroscuro world is brought into focus by an introductory essay on utopian poetics and lyrical stylistics of this great Turkish writer. The book is a stimulating exploration into Turkish mood and milieu.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Preface
  2. pp. vii-viii
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  1. Guide to Turkish Spelling and Pronunciation
  2. pp. ix-x
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  1. Chronology
  2. pp. xi-xiv
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  1. Introduction: Sait Faik’s Utopian Poetics and the
  2. Süha Oğuzertem
  3. pp. xv-xxx
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  1. Stories
  1. World for Sale
  2. Translated by Celia Kerslake
  3. pp. 3-7
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  1. A Treasure Hunter
  2. Translated by Celia Kerslake
  3. pp. 8-15
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  1. The Kingdom
  2. Translated by Celia Kerslake
  3. pp. 16-19
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  1. The Man with the Bestial Smile
  2. Translated by Celia Kerslake
  3. pp. 20-24
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  1. Life Outside the City Walls
  2. Translated by Celia Kerslake
  3. pp. 25-32
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  1. The Stelyanos Hrisopulos
  2. Translated by Nermin Menemencioğlu
  3. pp. 33-40
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  1. A Tale of 1,476 Nickel Kuruş
  2. Translated by Geoffrey Lewis
  3. pp. 41-43
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  1. The Gramophone and the Typewriter
  2. Translated by Joseph S. Jacobson
  3. pp. 44-49
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  1. The Story That Dropped in My Lap
  2. Translated by Geoffrey Lewis
  3. pp. 50-53
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  1. The Lower Cabin
  2. Translated by Geoffrey Lewis
  3. pp. 54-56
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  1. From A Cloud in the Sky
  2. Translated by Geoffrey Lewis
  3. pp. 57-69
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  1. From The Courtroom
  1. The Tea Thieves
  2. Translated by Geoffrey Lewis
  3. pp. 70-75
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  1. The Lead from Sultan Mahmud’s Tomb
  2. Translated by Geoffrey Lewis
  3. pp. 76-79
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  1. The Wiring of the Holy Virgin’s Lamp
  2. Translated by Geoffrey Lewis
  3. pp. 80-83
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  1. The Battle
  2. Translated by Geoffrey Lewis
  3. pp. 84-87
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  1. Eftalikus’s Coffeehouse
  2. Translated by Joseph S. Jacobson
  3. pp. 88-92
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  1. The Hermit Crab
  2. Translated by Joseph S. Jacobson
  3. pp. 93-96
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  1. Who Cares?
  2. Translated by Joseph S. Jacobson
  3. pp. 97-101
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  1. Such a Story
  2. Translated by Joseph S. Jacobson
  3. pp. 102-109
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  1. Barba Antimos
  2. Translated by Celia Kerslake
  3. pp. 110-114
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  1. Sleeping in the Forest
  2. Translated by Nilüfer Mizanoğlu Reddy
  3. pp. 115-122
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  1. A Man Created by Loneliness
  2. Translated by Joseph S. Jacobson
  3. pp. 123-129
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  1. Four Stories of a Shore
  2. Translated by Joseph S. Jacobson
  3. pp. 130-135
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  1. Master Yani
  2. Translated by Joseph S. Jacobson
  3. pp. 136-138
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  1. The Armenian Fisherman and the Lame Seagull
  2. Translated by Talat S. Halman
  3. pp. 139-142
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  1. From the Novella “The Source of Livelihood”—A Fishing Boat
  2. Translated by Nilüfer Mizanoğlu Reddy
  3. pp. 143-180
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  1. Poems
  1. The Friend
  2. pp. 183-184
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  1. Sundays
  2. p. 184
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  1. Apple and Fig
  2. p. 184
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  1. Letter I
  2. p. 185
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  1. Letter II
  2. p. 185
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  1. Not To Be Able To Write
  2. pp. 186-188
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  1. Naples
  2. p. 188
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  1. Girl from İmroz*
  2. p. 188
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  1. Compote
  2. p. 189
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  1. Sicilian Forests
  2. p. 189
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  1. Back When
  2. p. 190
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  1. Glossary of Turkish Names and Terms
  2. pp. 191-196
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  1. Biographical Notes
  2. pp. 197-199
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  1. Back Cover
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