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A politico-linguistic problem, a conflicted hairstyle, and a conflict-bound drone, Fauxhawk works in the space where dissent becomes materialized, ironized, and commodified. Engaging drone optics, redactions, renditions, comedy, and cinema, Ben Doller wrenches exuberant music from the drone of the everyday. The citizens in these poems are fraught in their passivity, both ashamed of being and of being surveyed. Occupied by the material forces conspiring against poetry, Fauxhawk takes on the economics of writing, university bureaucracies, and complicit injustice. The poems in Doller's thrilling new collection attempt to find their own tone amid the blare via formal innovation, carving a space where presence is signified, in hopeful and clarifying resistance. An online reader's companion is available at http://bendoller.site.wesleyan.edu.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-viii
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  1. Contents
  2. pp. ix-xii
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  1. The Fauxhawk
  2. pp. 1-3
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  1. Run
  2. pp. 4-5
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  1. Cybermonday
  2. pp. 6-7
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  1. [ey]
  2. pp. 8-9
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  1. Lacanian Inc.
  2. pp. 10-13
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  1. Ikeahacks.com
  2. pp. 14-15
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  1. Axe Body Spray
  2. pp. 16-18
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  1. Irony&Archery
  2. p. 19
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  1. [bee]
  2. pp. 20-21
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  1. Parochial Poetry
  2. p. 22
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  1. Polynomial Poetry
  2. pp. 23-24
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  1. Neurobiological Poetry
  2. p. 25
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  1. Umbillicall
  2. p. 26
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  1. [see]
  2. pp. 27-28
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  1. Dummy
  2. p. 29
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  1. Obviously
  2. pp. 30-31
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  1. The Foreign Correspondent
  2. p. 32
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  1. Earing
  2. pp. 33-34
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  1. Hello
  2. pp. 35-46
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  1. Pain
  2. pp. 47-64
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  1. Google Drive
  2. pp. 65-82
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  1. Notes
  2. p. 83
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  1. About the Author
  2. p. 84
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