In this Book

summary

The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation.

Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind?

Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov. 

Table of Contents

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  1. Cover
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  1. Title Page
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  1. Contents
  2. pp. 5-12
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  1. Acknowledgments
  2. pp. 13-14
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  1. Preface
  2. pp. 15-20
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  1. Introduction: AVANT-GARDE MUSEOLOGY: Toward a History of a Pilot Experiment
  2. Arseny Zhilyaev
  3. pp. 21-56
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  1. I: Museum as Common Task
  1. THE MUSEUM, ITS MEANING AND MISSION (c. 1880s)
  2. Nikolai Fedorov
  3. pp. 59-142
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  1. THE ART OF RESEMBLANCES (of False Artistic regeneration) AND THE ART OF REALITY (of real resurrection): Ptolemaic and Copernican Art (c. 1890s)
  2. Nikolai Fedorov
  3. pp. 143-148
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  1. THE VORONEZH MUSEUM IN 1998 (1898)
  2. Nikolai Fedorov
  3. pp. 149-164
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  1. THE CATHERINE THE GREAT EXHIBITION AT THE VORONEZH REGIONAL MUSEUM (1896)
  2. Nikolai Fedorov and Nikolai Pettrson
  3. pp. 165-170
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  1. ON THE CATHEDRAL OF THE RESURRECTING MUSEUM (1921)
  2. Vasiliy Chekrygin
  3. pp. 171-196
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  1. THE CHURCH RITUAL AS A SYNTHESIS OF THE ARTS (1918)
  2. Pavel Florensky
  3. pp. 197-214
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  1. ON THE CREATION OF A PANTHEON IN THE USSR: A Proposal (1927)
  2. Vladimir Bekhterev
  3. pp. 215-222
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  1. MATERIALS ON THE INSTITUTE OF BIOGRAPHY (1920)
  2. Nikolai Rybnikov
  3. pp. 223-232
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  1. “THE REVOLUTION MEMORIAL RESERVATION,” AN EXCERPT FROM THE NOVEL CHEVENGUR (1926–28)
  2. Andrey Platonov
  3. pp. 233-248
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  1. THE ASTRONOMICAL OBSERVATORY AT THE PERM REGIONAL MUSEUM (1935)
  2. V. I. Karmilov
  3. pp. 249-252
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  1. II: The Museum of Avant-Gardism
  1. “ THE MUSEUM OF ART, ” AN EXCERPT FROM THE NOVEL RED STAR (1908)
  2. Aleksandr Bogdanov
  3. pp. 255-266
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  1. ON THE MUSEUM (1919)
  2. Kazimir Malevich
  3. pp. 267-274
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  1. THE MUSEUM NEWSPAPER: Suggestions for regional Museums and Community Centers (1931)
  2. Leonid Chetyrkin
  3. pp. 275-278
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  1. AVALANCHE EXHIBITIONS: The Experience of the leningrad Organization of Worker-Artists (1933)
  2. Leonid Chetyrkin
  3. pp. 279-280
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  1. ON THE QUESTION OF MUSEUMS: record of the Discussion of Problems and Objectives of Fine Art Museums at the Art and Industry Board (1919)
  2. pp. 281-288
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  1. THE MUSEUM AND PROLETARIAN CULTURE: Speech at the Meeting of the First All-russian Museum Commission (1919)
  2. Osip Brik
  3. pp. 289-292
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  1. ON THE RESULTS OF THE MUSEUM CONFERENCE (1919)
  2. Nikolai Punin
  3. pp. 293-298
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  1. ON THE MUSEUM BUREAU (1920 –21)
  2. Aleksandr Rodchenko
  3. pp. 299-306
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  1. THE MUSEUM OF PAINTING CULTURE AT ROZHDESTVENKA STREET, 11 (1926)
  2. pp. 307-312
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  1. III: The Materialistic Museum
  1. LENIN’S ATTITUDE TOWARD MUSEUMS (1931)
  2. Nadezhda Krupskaya
  3. pp. 315-318
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  1. DIALECTICAL MATERIALISM AND THE CONSTRUCTION OF THE MUSEUM (1931)
  2. Ivan Luppol
  3. pp. 319-340
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  1. MARXIST EXHIBITION METHODS FOR NATURAL SCIENCE MUSEUMS (1931)
  2. Boris Zavadovsky
  3. pp. 341-350
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  1. THE PERMANENT EXHIBITIONS OF FINE ART MUSEUMS: Joint report (1931)
  2. Aleksey Fedorov-Davydov
  3. pp. 351-362
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  1. AN EXPERIMENT IN MARXIST EXHIBITIONMAKING AT THE STATE TRETYAKOV GALLERY (1931)
  2. Natalya Kova lenskaya
  3. pp. 363-376
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  1. EVERYDAY LIFE OF THE WORKING CLASS FROM 1900 TO 1930 EXHIBITION: History and Everyday life Department of the State russian Museum (1931)
  2. Valentin Kholtsov
  3. pp. 377-388
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  1. ON A MUSEUM OF INDUSTRY AND ART (1931)
  2. David Arkin
  3. pp. 389-398
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  1. A MUSEUM EXHIBITION OR A THEATRICAL PERFORMANCE? (1932)
  2. N. A.. Shneerson
  3. pp. 399-410
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  1. ON THE QUESTION OF THE PRINCIPLES OF EXHIBITION: Central Park of Culture and leisure Exhibitions (1932)
  2. I. M. Zykov
  3. pp. 411-422
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  1. PLATES
  2. pp. 423-440
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  1. IV: The Museum Outside of the Museum
  1. MUSEUMS IN INDUSTRIAL ENTERPRISES (1931)
  2. K. I. Vorobyov
  3. pp. 443-452
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  1. THE EXPERIENCE OF DEVELOPING MOBILE EXHIBITIONS (1931)
  2. Yu ri Samarin
  3. pp. 453-468
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  1. MUSEUM IN THE STREET (1931)
  2. P. N. Khrapov
  3. pp. 469-480
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  1. BRINGING THE AGITPROP-TRUCK TO THE SERVICE OF CULTURAL CONSTRUCTION (1932)
  2. M. S. Ilkovsky
  3. pp. 481-488
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  1. THE MOBILE MODEL OF THE INSTRUCTIVE LABORATORY VAN AND ITS OPERATION (1935)
  2. I. F. Sheremet
  3. pp. 489-496
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  1. V: Museum of the History of the revolution
  1. MARXISM-LENINISM IN EXHIBITIONS IN THE MUSEUMS OF REVOLUTION (1931)
  2. ANDREY Shestakov
  3. pp. 499-508
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  1. MUSEUMS OF THE REVOLUTION (1931)
  2. Nikolai Druzhinin
  3. pp. 509-532
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  1. A NEW EXHIBITION AT THE LENINGRAD MUSEUM OF THE REVOLUTION (1931)
  2. Vera Leykina
  3. pp. 533-542
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  1. THE MUSEUM AS A WEAPON OF CLASS STRUGGLE: HERE AND ABROAD (1934)
  2. Roza Frumkina
  3. pp. 543-550
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  1. VI: The Atheists’ Museum
  1. AN EXHIBITION AND PANORAMA OF THE MOSCOW CREMATORIUM (1931)
  2. A. F. Levitsky
  3. pp. 553-556
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  1. THE QUESTION OF EXHIBITIONS IN ANTIRELIGIOUS MUSEUMS (1931)
  2. S. P. Lebedyansky
  3. pp. 557-568
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  1. THE MUSEUM ON THE FRONTLINES OF THE WAR ON RELIGION (1932)
  2. Yuriy Kogan
  3. pp. 569-580
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  1. ANTIRELIGIOUS WORK AT THE KLIMENT TIMIRYAZEV BIOMUSEUM: Supplementary report (1931)
  2. Ivan Skulenko
  3. pp. 581-586
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  1. CHURCH PAINTING AND ITS HISTORY AS AN OBJECT OF ANTIRELIGIOUS PROPAGANDA (1932)
  2. pp. 587-604
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  1. Authors’ Biographies
  2. pp. 605-614
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  1. Notes on the Original Publications
  2. pp. 615-630
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  1. Colophon, Copyright
  2. pp. 631-632
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