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One of the leading critics of our time, R.W.B. Lewis, charts the career of Hart Crane's imagination-of his vision, his rhetoric, and his craft. Crane, who has heretofore been assigned a relatively minor place in American letters, emerges from this rich, dense book as one of the finest poets in our language. Mr. Lewis traces the development of the theme which runs through all of Crane’s poetry-the need for the visionary and loving transfiguration of the actual world-and claims that it is this theme which gives Crane’s poetry its extraordinary consistency. Mr. Lewis also relates Crane’s development as poet to the Anglo-American Romantic tradition and argues that Blake, Wordsworth, Keats, and Emerson are vital to an understanding of Crane’s work.

Originally published in 1967.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Preface
  2. pp. vii-xii
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  1. Contents
  2. p. xiii
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  1. I. The Escape from Irony
  1. 1 Geographies
  2. pp. 3-14
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  1. 2 Poetry and the Actual
  2. pp. 15-44
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  1. 3 Chaplinesque
  2. pp. 45-79
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  1. 4 "For the Marriage of Faustus and Helen"
  2. pp. 80-119
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  1. 5 The Impenitent Song
  2. pp. 120-147
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  1. 6 "Voyages"
  2. pp. 148-179
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  1. 7 The Visionary Lyric
  2. pp. 180-216
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  1. II. The Bridge: A Grace to Our History
  1. 8 In the Country of the Blind
  2. pp. 219-245
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  1. 9 "Proem" and "Ave Maria": The Post-Christian Idiom
  2. pp. 246-286
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  1. 10 "Powhatan's Daughter"
  2. pp. 287-319
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  1. 11 The Road to Quaker Hill
  2. pp. 320-353
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  1. 12 "The Tunnel" and "Atlantis": The Rhythm of the Bridge
  2. pp. 354-382
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  1. III. Key West and Others
  1. 13 Thresholds Old and New
  2. pp. 385-420
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  1. Index of Crane's Writings
  2. pp. 421-422
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  1. General Index
  2. pp. 423-426
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