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American artist Paul Ré invites us to join him on his journey for harmony, wisdom, and inner joy with Art, Peace, and Transcendence. His hybrid hand-digital prints, Réograms, are a unique art form very different from the Rayograms made in the twentieth century by the American Surrealist Man Ray. Ré’s digital prints are computer manipulations of the drawings, paintings, and sculpture he has created over his forty-year career—the transformations may be mild or dramatic, each manually massaged into a harmonious whole. Commentary by the artist, drawing from his background in physics, philosophy, and the practice of yoga and meditation, accompanies the fifty-eight full-page plates, placing each piece in its historical context. Bridging the lines of art and science, Ré takes us on a discovery of our oneness with the whole of the universe and the source from which it emerged.

American artist Paul Ré invites us to join him on his journey for harmony, wisdom, and inner joy with Art, Peace, and Transcendence. His hybrid hand-digital prints, Réograms, are a unique art form very different from the Rayograms made in the twentieth century by the American Surrealist Man Ray. Ré’s digital prints are computer manipulations of the drawings, paintings, and sculpture he has created over his forty-year career—the transformations may be mild or dramatic, each manually massaged into a harmonious whole. Commentary by the artist, drawing from his background in physics, philosophy, and the practice of yoga and meditation, accompanies the fifty-eight full-page plates, placing each piece in its historical context. Bridging the lines of art and science, Ré takes us on a discovery of our oneness with the whole of the universe and the source from which it emerged.

Table of Contents

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  1. Cover
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  1. Title page, Copyright, Dedication
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  1. Contents
  2. p. vii
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  1. List of Plates
  2. pp. ix-x
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  1. Foreword
  2. Fredrick H. Shair
  3. pp. xi-xiv
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  1. Preface
  2. pp. v-xvi
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  1. Introduction
  2. pp. xvii-xxii
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  1. Plates with Commentaries: A World of Closed Curves
  2. pp. 1-96
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  1. Epilogue: Remember the Source
  2. pp. 97-98
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  1. Biography
  2. pp. 99-102
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  1. Bibliography
  2. pp. 103-106
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  1. Back Cover
  2. p. 107
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