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Though he has made only five films in two decades—Strictly Ballroom, William Shakespeare’s Romeo + Juliet, and the Oscar-nominated films Moulin Rouge!, Australia, and The Great Gatsby—Australian writer-director Baz Luhrmann is an internationally known brand name. His Christian name has even entered the English language as a verb, as in “to Baz things up,” meaning “to decorate them with an exuberant flourish.” Celebrated by some, loathed by others, his work is underscored by what has been described as “an aesthetic of artifice” and is notable for both its glittering surfaces and recurring concerns.

In this collection of interviews, Luhrmann discusses his methods and his motives, explaining what has been important to him and his collaborators from the start and how he has been able to maintain an independence from the studios that have backed his films. He also speaks about his other artistic endeavors, including stage productions of La Bohème and A Midsummer Night’s Dream, and his wife and collaborative partner Catherine Martin, who has received two Academy Awards for her work with Luhrmann.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Introduction
  2. pp. vii-xvi
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  1. Chronology
  2. pp. xvii-xx
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  1. Filmography
  2. p. xxi
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  1. Stepping Out: Behind the Scenes of Strictly Ballroom
  2. Ruth Hessey
  3. pp. 3-10
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  1. More than Romance Colors Strictly Ballroom
  2. Peter Brunette
  3. pp. 11-13
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  1. Romeo and Juliet: "Appear Thou in the Likeness of a Sigh …"
  2. Mark Mordue
  3. pp. 14-21
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  1. Baz Luhrmann's William Shakespeare's Romeo and Juliet
  2. Pauline Adamek
  3. pp. 22-27
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  1. Baz on the Bard
  2. Peter Malone
  3. pp. 28-36
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  1. Shakespeare in the Cinema: A Cineaste Interview
  2. Gary Crowdus
  3. pp. 37-41
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  1. Baz Luhrmann
  2. Elsie M. Walker
  3. pp. 42-54
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  1. Broadly Speaking
  2. Sonya Voumard
  3. pp. 55-57
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  1. The Director: Baz Luhrmann
  2. Bec Smith
  3. pp. 58-63
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  1. Moulin Rouge!
  2. Serena Donadoni
  3. pp. 64-66
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  1. Millennial Mambo: Baz Luhrmann Messes with the Musical Because He Can-Can
  2. Ray Pride
  3. pp. 67-77
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  1. The Man behind the Red Curtain
  2. Terry Keefe
  3. pp. 78-83
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  1. Baz Luhrmann: The Ringmaster
  2. John Lahr
  3. pp. 84-96
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  1. Baz Luhrmann
  2. Harvey Kubernik
  3. pp. 97-105
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  1. Closing the Red Curtain with La Boheme
  2. pp. 106-113
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  1. Australia: Baz Luhrmann Interview
  2. pp. 114-117
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  1. Strictly Luhrmann: Where He Leads, We Will Follow
  2. pp. 118-121
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  1. The Romantic
  2. Garry Maddox
  3. pp. 122-130
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  1. Baz Luhrmann's Despair, Drive, and Gamble behind Great Gatsby
  2. pp. 131-138
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  1. Past Is Present in the New Gatsby
  2. pp. 139-145
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  1. Appendix: Notes from John Duigan and Geoffrey Nottage
  2. pp. 146-148
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  1. Additional Resources
  2. pp. 149-152
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  1. Index
  2. pp. 153-159
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