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Composer John Donald Robb (1892–1989) built an invaluable legacy in the preservation of New Mexico’s rich musical traditions. His extensive field recordings, compositions, papers, and photographs now comprise the John Donald Robb Archives in the University of New Mexico Libraries’ Center for Southwest Research. Cancionero presents thirteen Hispanic folk songs from Robb’s renowned archive. Created for musicians and vocalists, Cancionero features arrangements for voice with piano or guitar accompaniments as well as selected concert versions for voice, oboe, harp, and piano. Introductions include information about song forms, history, and subjects, providing further insight into each song.

Composer John Donald Robb (1892–1989) built an invaluable legacy in the preservation of New Mexico’s rich musical traditions. His extensive field recordings, compositions, papers, and photographs now comprise the John Donald Robb Archives in the University of New Mexico Libraries’ Center for Southwest Research. Cancionero presents thirteen Hispanic folk songs from Robb’s renowned archive. Created for musicians and vocalists, Cancionero features arrangements for voice with piano or guitar accompaniments as well as selected concert versions for voice, oboe, harp, and piano. Introductions include information about song forms, history, and subjects, providing further insight into each song.

Table of Contents

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  1. Front Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Note to Readers
  2. pp. vii-viii
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  1. Foreword
  2. Frank McCulloch
  3. pp. ix-x
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  1. Editorial Preface
  2. pp. xi-xii
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  1. Introduction from the 1954 Edition of Hispanic Folk Songs of New Mexico
  2. pp. 1-8
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  1. Introduction: Discussions of the Selected Folk Songs
  2. pp. 9-14
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  1. Musical Selections: Songs of Laughter
  1. 1. La Zenaida
  2. pp. 16-19
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  1. 2. Mambrú (Membrú)
  2. pp. 20-21
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  1. 3. En la cantina de Denver
  2. pp. 22-25
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  1. 4. Cuatro palomitas blancas
  2. pp. 26-27
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  1. 5. El borreguero
  2. pp. 28-30
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  1. 6. Don Gato
  2. pp. 31-33
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  1. 7. Leonor
  2. pp. 34-36
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  1. Musical Selections: Songs of Faith
  1. 8. ¡Bendito sea Dios!
  2. pp. 38-40
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  1. 9. Tun, tun
  2. pp. 41-43
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  1. 10. Adiós José, adiós María
  2. pp. 44-45
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  1. 11. Entrega de novios
  2. pp. 46-48
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  1. Musical Selections: Other
  1. 12. Ahí vienen los indios (El comanchito)
  2. pp. 50-51
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  1. 13. El tecolote (¿Tecolote, de dónde vienes?)
  2. pp. 52-54
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  1. Musical Selections: Alternate and Concert Settings: Songs of Laughter
  1. 1a. La Zenaida (for Voice and Piano)
  2. pp. 56-59
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  1. 2a. Mambrú (Membrú) (for Voice and Piano)
  2. pp. 60-63
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  1. 3a. En la cantina de Denver (for Medium Voice and Piano)
  2. pp. 64-69
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  1. 3b. En la cantina de Denver (for High Voice and Piano)
  2. pp. 70-75
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  1. 4a. Cuatro palomitas blancas (for Voice and Piano)
  2. pp. 76-79
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  1. 5a. El borreguero (for Voice and Piano)
  2. pp. 80-85
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  1. 5b. El borreguero (for Voice, Oboe, and Piano)
  2. pp. 86-93
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  1. 6a. Don Gato (for Voice and Piano)
  2. pp. 94-97
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  1. 6b. Don Gato (for Voice, Oboe, and Piano)
  2. pp. 98-103
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  1. 6c. Don Gato (Alternate Tune from the Americas)
  2. pp. 104-105
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  1. 7a. Leonor (for Voice and Piano)
  2. pp. 106-113
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  1. 7b. Leonor (for Medium Voice and Piano)
  2. pp. 114-122
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  1. Musical Selections: Alternate and Concert Settings: Songs of Faith
  1. 8a. ¡Bendito sea Dios! (for Voice and Piano)
  2. pp. 124-127
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  1. 9a. Tun, tun (for Voice and Piano)
  2. pp. 128-131
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  1. 9b. Tun, tun (for Low Voice and Piano)
  2. pp. 132-139
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  1. 10a. Adiós José, adiós María (for Voice and Piano)
  2. pp. 140-143
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  1. 10b. Adiós José, adiós María (for Duet and Piano)
  2. pp. 144-147
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  1. 11a. Entrega de novios (for Voice and Piano)
  2. pp. 148-150
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  1. Musical Selections: Alternate and Concert Settings: Other
  1. 12a. Ahí vienen los indios (El comanchito) (for Voice and Piano)
  2. pp. 152-155
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  1. 13a. El tecolote (¿Tecolote, de dónde vienes?) (for Voice, Oboe, and Piano)
  2. pp. 156-167
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  1. 13b. El tecolote (¿Tecolote, de dónde vienes?) (for Voice, Oboe, Harp, and Piano)
  2. pp. 168-184
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  1. Back Cover
  2. p. 185
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