In this Book

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"Again and again in Christina Hutchins’s exquisite Tender the Maker, poems startle us into awareness of the overlooked, the nearly always invisible (such as a library’s unused dictionary), and the marvelous, those aspects of life that come under the rubric of ‘mystery,’ in all senses of the word. Hutchins combines a pitch-perfect and precise lyricism with a postmodern sensibility of language’s materiality.”
—Cynthia Hogue, judge for the 2015 May Swenson Poetry Award

"An elegantly crafted, dense work that invites readers to travel on spiritual, philosophical, and historical journeys."
—Kirkus Reviews

"Tender the Maker revisits the age-old comparison between poet and deity, highlighting its blind spots, namely the times when creating also means losing, destroying, forgetting.​ . . . Each poem becomes a map where time and space intersect and unearth connections that help us confront the weight of history, whether our own or that of others."
—Fjords Review 

"[T]hroughout the book, Hutchins guides me into her patient, fragile, complex vision. . . . Both the depth and the precision of Hutchins’s work arise from her exact attention to the 'motion-in-relation' of herself as an artist, which is also attention to the tools of her work and to her imagination’s duty to honor the seen and the not seen."
Beloit Poetry Journal

The May Swenson Poetry Award is an annual competition named for May Swenson, one of America’s most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in her hometown of Logan, Utah.

Table of Contents

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  1. Cover
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  1. Title page, Copyright, Dedication
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  1. Contents
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  1. Foreword
  2. Cynthia Hogue
  3. pp. ix-xii
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  1. ONE: World Without
  1. Interregnum
  2. pp. 3-4
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  1. Between Pages of the Dictionary
  2. p. 5
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  1. Elegy
  2. p. 6
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  1. Atop Zugspitze
  2. pp. 7-8
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  1. Die Rote Jacke
  2. p. 9
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  1. Your Mother He Said
  2. p. 10
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  1. My Brothers
  2. pp. 11-12
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  1. Our Passing
  2. pp. 13-14
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  1. Asylum
  2. p. 15
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  1. The Music Inside
  2. pp. 16-18
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  1. TWO: A Day Already Underway
  1. Eye of the Storm, Pescadero Coast, 1972
  2. p. 21
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  1. Embers of the Day
  2. p. 22
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  1. Cleaning Out the Garage in 1968
  2. pp. 23-24
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  1. The Resurfacing of Solano Avenue at the Millennium
  2. pp. 25-26
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  1. O Sun, 2003
  2. p. 27
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  1. Humpty in Our Hands
  2. pp. 28-30
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  1. From the Hold
  2. p. 31
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  1. Unrepeatable Poem
  2. pp. 32-33
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  1. The Disappearing Doors
  2. p. 34
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  1. THREE: Haven, If It Is Haven, Gives
  1. Quail
  2. p. 37
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  1. That Sunday Afternoon She Said
  2. p. 38
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  1. Vigil
  2. p. 39
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  1. Beyond All Tenderness
  2. pp. 40-43
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  1. Passing through the Aperture
  2. p. 44
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  1. her father’s death in her body
  2. pp. 45-46
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  1. FOUR: Plum-Hot the Anvil
  1. We Shall All Be Changed
  2. pp. 49-50
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  1. Reservoir at Uvas Canyon
  2. pp. 51-52
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  1. FIVE: Accomplice of Creation
  1. departure
  2. p. 55
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  1. A Traveler Is Met by Shapes of the World
  2. p. 56
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  1. Linseed
  2. p. 57
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  1. A Traveler Is Met by Touch
  2. p. 58
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  1. Lark
  2. p. 59
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  1. Being Read
  2. p. 60
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  1. Confessions of a Tactile Kleptomaniac
  2. pp. 61-62
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  1. A Way Back to Life
  2. pp. 63-64
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  1. Notes to the Poems
  2. pp. 65-66
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  1. Acknowledgments
  2. pp. 67-68
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  1. About the Author
  2. p. 69
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  1. The May Swenson Poetry Award
  2. p. 70
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