In this Book

summary

This study explores the structure of psychological, social and political exchanges that were negotiated between audiences and plays in Elizabethan public theatres in a period ostensibly dominated by Shakespeare, but strongly rooted in Marlowe.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. A Note on Texts
  2. pp. xi-xii
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  1. Prefatory Note
  2. pp. xiii-xvi
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  1. Introduction: Marlowe and/or Shakespeare
  2. pp. 1-6
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  1. Part One: The Economy of Theatrical Experience
  2. pp. 7-8
  1. 1. The Terms of Engagement
  2. pp. 9-37
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  1. 2. The Audience in Theory and Practice
  2. pp. 38-64
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  1. Part Two: The Webs of Plays
  2. pp. 65-66
  1. 3. The Tamburlaine Phenomenon
  2. pp. 67-93
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  1. 4. Banquo's Ghost
  2. pp. 94-118
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  1. Part Three: A Poetics of Demystification
  2. pp. 119-120
  1. 5. King Edward's Body
  2. pp. 121-135
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  1. 6. Radical Shakespeare
  2. pp. 136-158
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  1. Part Four: Corrupt Texts
  2. pp. 159-160
  1. 7. Machiavel's Ghost
  2. pp. 161-180
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  1. 8. The Unaccommodating Text
  2. pp. 181-198
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  1. Conclusion: The Imaginary Audience
  2. pp. 199-204
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  1. Notes
  2. pp. 205-224
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  1. Works Cited
  2. pp. 225-234
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  1. Index
  2. pp. 235-243
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Additional Information

ISBN
9781512801569
Related ISBN
9780812231021
MARC Record
OCLC
44961443
Pages
264
Launched on MUSE
2016-01-01
Language
English
Open Access
No
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