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The antifascist exile beginning in 1933 led to a cooling among the émigrés of the artistic and literary modernist experiments of the Weimar Republic and to a return to realism and the traditional novel form. Epic and Exile examines the Popular Front– oriented cultural initiatives of the 1930s less in terms of their political strategy than in their function as a cultural and literary program for the exiles, implying a specific relationship to questions of artistic form, historical conceptions, and indeed the political as such. A popular front aesthetics is, Bivens argues, realist and modernist at once, and, in its focus on the opacities and contradictions of everyday life as a historical formation, it is particularly concerned with problems of the epic form.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Contents
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Abbreviations
  2. pp. ix-x
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  1. Introduction: “A Feeling for History”: The Popular Front Novel
  2. pp. 3-30
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  1. 1. Epic Forms and the Crisis of the Novel
  2. pp. 31-51
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  1. 2. After the Revolution: Hans Marchwitza, The Kumiaks
  2. pp. 52-85
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  1. 3. The Tasks of Emigration
  2. pp. 86-111
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  1. 4. Place and Plot: Anna Seghers, The Seventh Cross
  2. pp. 112-153
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  1. 5. Ghostly Solidarities: Eduard Claudius, Green Olives and Bare Mountains
  2. pp. 154-187
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  1. 6. Die Deutsche Misère? Bertolt Brecht, Mother Courage and Her Children
  2. pp. 188-224
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  1. Epilogue: The “Immense Window of Change”?
  2. pp. 225-236
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  1. Notes
  2. pp. 237-280
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  1. Index
  2. pp. 281-289
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