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Although Benjamin’s place in the canon of twentieth-century critical theorists is now established, the boundaries of his work still resist classification and demarcation. His writings, including the best known collection Illuminations, remain an uneasy but thrilling combination of the actual and the mystical, of Marxism and messianic utopianism. This collection shows how extraordinarily substantial were the theoretical footholds which Walter Benjamin supplied: Irving Wohlfarth on historical understanding versus historicism, Zygmunt Bauman on Benjamin the intellectual, Sigrid Weigel on feminism and cultural analysis, Gillian Rose on Benjamin and the sources of Judaism and Martin Jay on the use of imagery in Benjamin’s novels.

Table of Contents

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  1. Cover
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  1. Title page, Copyright
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  1. Contents
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  1. 1. Editorial
  2. pp. 9-12
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  1. 2. The Measure of the Possible, the Weight of the Real and The Heat of the Moment: Benjamin's Actuality Today
  2. Irving Wohlfarth
  3. pp. 13-39
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  1. 3. From Gender Images To Dialectical Images in Benjamin's Writings
  2. Sigrid Weigel
  3. pp. 40-54
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  1. 4. The City in Pieces
  2. Victor Burgin
  3. pp. 55-71
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  1. 5. Walter Benjamin, The intellectual
  2. Zygmunt Bauman
  3. pp. 72-84
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  1. 6. Walter Benjamin - Out of The Sources of Modern Judaism
  2. Gillian Rose
  3. pp. 85-117
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  1. 7. A Communicative Disclosure Of the Past: on the Relation Between Anthropology And Philosophy of History In Walter Benjamin
  2. Axel Honneth
  3. pp. 118-134
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  1. 8. Shoah, Remembrance and the Abeyance of Fate: Walter Benjamin's 'Fate and Character'
  2. Andrew Benjamin
  3. pp. 135-155
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  1. 9. Memoirs and Micrologies: Walter Benjamin's Artwork Essay Reconsidered
  2. Janet Wolff
  3. pp. 156-171
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  1. 10. History, the Baroque and The Judgement of the Angels
  2. Iain Chambers
  3. pp. 172-193
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  1. 11. Experience Without A Subject: Walter Benjamin And the Novel
  2. Martin jay
  3. pp. 194-211
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  1. 12. The Aesthetics of Conflict
  2. Julian Roberts
  3. pp. 212-225
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