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Presented here are selected critical essays from five volumes of the Poetik und Hermeneutik series published in Germany by the Wilhelm Fink Verlag of Munich. These essays represent some of the newest and most advanced thinking of fifteen leading scholars in the German-American interdisciplinary school of literary criticism. Until now no single volume has provided such an extensive contemporary treatment of literatures, problems, and methodologies representative of European criticism. The book's significance rests in the potential this new interdisciplinary criticism has for increasing the interplay between the two major critical movements of our day, namely, the objective, pragmatic Anglo-American criticism and the more subjective, phenomenological Continental criticism.

Originally published in 1979.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-viii
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. Victor Lange
  3. pp. 3-26
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  1. I. Imitation and Illusion. From Poetik Und Hermeneutik I
  1. The Concept of Reality and the Possibility of the Novel
  2. Hans Blumenberg
  3. pp. 29-48
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  1. The Transformation of the Concept of Imitationin Eighteenth-Century French Esthetics
  2. Herbert Dieckmann
  3. pp. 49-85
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  1. Fiction—The Filter of History
  2. Wolfgang Iser
  3. pp. 86-104
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  1. II. Immanent Esthetics and Esthetic Reflection, The Lyric as Paradigm of the Modern. From Poetik und Hermeneutik II
  1. Art and Philosophy of Art Today
  2. Dieter Henrich
  3. pp. 107-133
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  1. Syntax and Obscurity in Poetry
  2. Wlf-Dieter Stempel
  3. pp. 134-149
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  1. Coleridge, Baudelaire, and Modernist Poetics
  2. M. H. Abrams
  3. pp. 150-181
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  1. Group Interpretation of Apollinaire's Abre (From Calligrammes)
  2. Hans Robert Jauss
  3. pp. 182-208
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  1. III. The No Longer Fine Arts: Border Phenomena of Esthetics. From Poetik und Hermeneutik III
  1. Chance as Motivation for the Unexplained in Historical Writing
  2. Rienhart Koselleck
  3. pp. 211-224
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  1. Bridging the Gap Between Heine the Poet and Heine the Journalist
  2. Wolfgang Preisendanz
  3. pp. 225-259
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  1. On the Importance of the Theory of the Unconscious for a Theory of No Longer Fine Art
  2. Odo Marquand
  3. pp. 260-278
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  1. Overstepping Esthetic Limits in Visual Art
  2. Max Imdahl
  3. pp. 279-296
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  1. IV. Myth and Modern Literature. From Poetik und Hermeneutik IV
  1. Myth as a Recurrent Theme in Greek Tragedy and Twentieth-Century Drama
  2. Manfred Fuhrmann
  3. pp. 299-323
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  1. Patterns of Communication in Joyce's Ulysses
  2. Wolfgang Iser
  3. pp. 324-360
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  1. The "New Myth" of Revolution—A Study of Mayakovsky's Early Poetry
  2. Jurij Streidter
  3. pp. 361-390
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  1. V. History and Literary History. From Poetik und Hermeneutik V
  1. Story as Exemplum—Exemplum as Story
  2. Karl-Heinz Stierle
  3. pp. 393-421
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  1. The Fall of Literary History
  2. Rene Wellek
  3. pp. 422-435
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  1. History of Art and Pragmatic History
  2. Hans Robert Jauss
  3. pp. 436-468
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  1. Notes on Contributors
  2. pp. 469-474
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  1. Index
  2. pp. 475-485
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