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The WPA Theatre Project-conceived as a relief measure, a work program, and an artistic experiment-enjoyed a brief but lively existence. With skill and sensitivity Mrs. Mathews explores its turbulent history from its ambiguous origins in 1935 to its tragic demise in 1939. The book recreate: the atmosphere of the era, and conveys a vivid sense of the Joys, frustrations, and personal sacrifices undergone by those dedicated few who recognized the need for an American People's Theatre.. Mrs. Mathews also provides a detailed account of the Congressional hearings which occasioned the disbanding of the. Project, and a fascinating portrait of Hallie Flanagan, the Projects colorful National Director.

Originally published in 1967.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Preface
  2. pp. vii-x
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  1. Contents
  2. p. xi
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  1. Illustrations
  2. p. xii
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  1. Manuscript Abbreviations for Material in the National Archives
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  1. 1. The Chance of a Lifetime
  2. pp. 3-43
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  1. 2. A Theatre Is Born
  2. pp. 44-88
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  1. 3. Relevant Theatre in a Bureaucratic Framework
  2. pp. 89-140
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  1. 4. Regional Theatre in a Bureaucratic Framework
  2. pp. 141-197
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  1. 5. Politics Versus Theatre: The Dies Committee Investigation
  2. pp. 198-235
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  1. 6. Politics Versus Theatre: Congress Kills Pinocchio
  2. pp. 236-295
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  1. 7. Art, Relief, and Politics: Conflicting Forces Examined
  2. pp. 296-314
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  1. Bibliography of Works Cited
  2. pp. 315-332
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  1. Index
  2. pp. 333-342
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  1. Image Plates
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