In this Book
summary
Many critics hold that Shakespeare's King Lear is primarily a drama of meaningful suffering and redemption within a just universe ruled by providential higher powers. William Elton's King Lear and the Gods challenges the validity of this widespread optimistic view. Testing the prevailing view against the play's acknowledged sources, and analyzing the functions of the double plot, the characters, and the play's implicit ironies, Elton concludes that this standard interpretation constitutes a serious misreading of the tragedy.
Table of Contents
Cover
Title Page, Copyright
Contents
pp. v-vi
Acknowledgments
pp. vii-viii
Note on the Text
pp. ix-x
Part I
I. The Problem
pp. 3-8
II. Renaissance Concepts of Providence
pp. 9-33
III. Sidney's Arcadia: Four Attitudes to Providence
pp. 34-62
IV. From Leir to Lear
pp. 63-72
Part II
V. Prisca Theologia: Cordelia and Edgar
pp. 75-114
VI. Pagan Atheism: Goneril and Regan, Edmund
pp. 115-146
VII. Pagan Superstition: Gloucester
pp. 147-170
VIII. Deus Absconditus: Lear
pp. 171-264
Part III
IX. Double Plot
pp. 267-283
X. Minor Characters: Kent, Cornwall, Albany, the Fool
pp. 284-328
XI. Irony as Structure
pp. 329-334
XII. Conclusion
pp. 335-338
King Lear Studies: 1967-1987
pp. 339-345
Index
pp. 346-375
| ISBN | 9780813161303 |
|---|---|
| Related ISBN(s) | 9780813101781, 9780813116402, 9780813133621, 9780813160054, 9780813183299 |
| MARC Record | Download |
| OCLC | 900344929 |
| Pages | 384 |
| Launched on MUSE | 2016-01-01 |
| Language | English |
| Open Access | No |


