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In 1992 the University of Pennsylvania Press published a new edition of Theodore Dreiser's second novel, Jennie Gerhardt. The original published text was altered significantly from the author's intentions: its sexual energy was short-circuited, its criticisms of organized religion were blunted, its language was smoothed and sentimentalized, and, most important, Jennie Gerhardt was reduced to a less thoughtful, less womanly character. The restored edition brings back the sexual charge, reinstates the social and religious criticism, and makes the language Dreiser's again.

This volume brings together 19 fresh readings, together with an introduction, of the Pennsylvania edition by three generations of Dreiser critics. The volume includes general assessments, analysis of main characters, treatments of the autobiographical roots of the narrative, views of various traditions (realistic, sentimental, ethnic) on which Dreiser drew, and investigations of historical contexts that inform his story.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. v-vi
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  1. Introduction
  2. pp. vii-x
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  1. Part I: General Assessments
  1. 1. Janus-Faced Jennie
  2. ROBERT H. ELIAS
  3. pp. 3-8
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  1. 2. The Biographical Significance of Jennie Gerhardt
  2. RICHARD LINGEMAN
  3. pp. 9-16
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  1. 3. Jennie Gerhardt: Naturalism Reconsidered
  2. JUDITH KUCHARSKI
  3. pp. 17-26
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  1. 4. Chill History and Rueful Sentiments in Jennie Gerhardt
  2. VALERIE ROSS
  3. pp. 27-42
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  1. 5. Jennie One-Note: Dreiser's Error in Character Development
  2. LAWRENCE E. HUSSMAN
  3. pp. 43-50
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  1. 6. Dreiser's Ideal of Balance
  2. LEONARD CASSUTO
  3. pp. 51-62
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  1. 7. Triangulating Desire in Jennie Gerhardt
  2. SUSAN ALBERTINE
  3. pp. 63-74
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  1. Part II: Critical and Historical Contexts
  1. 8. Jennie Gerhardt: A Spencerian Tragedy
  2. PHILIP GERBER
  3. pp. 77-90
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  1. 9. Jennie Through the Eyes of Thorstein Veblen
  2. CLARE VIRGINIA EBY
  3. pp. 91-102
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  1. 10. Labor and Capital in Jennie Gerhardt
  2. CHRISTOPHER P. WILSON
  3. pp. 103-114
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  1. 11. Dreiser and the Genteel Tradition
  2. DANIEL H. BORUS
  3. pp. 115-126
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  1. 12. "Housework Is Never Done": Domestic Labor in Jennie Gerhardt
  2. NANCY WARNER BARRINEAU
  3. pp. 127-135
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  1. 13. Self-Sacrifice and Shame in Jennie Gerhardt
  2. MIRIAM GOGOL
  3. pp. 136-146
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  1. 14. Jennie, Maggie, and the City
  2. YOSHINOBU HAKUTANI
  3. pp. 147-156
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  1. 15. Jennie Gerhardt and the Dream of the Pastoral
  2. JOHN B. HUMMA
  3. pp. 157-166
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  1. 16. How German Is Jennie Gerhardt?
  2. ARTHUR D. CASCIATO
  3. pp. 167-182
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  1. 17. Samuel E. [G]ross: Dreiser's Real Estate Magnate
  2. EMILY CLARK
  3. pp. 183-193
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  1. 18. The Hotel World in Jennie Gerhardt
  2. JAMES L. W. WEST III
  3. pp. 194-207
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  1. 19. Death and Dying in Jennie Gerhardt
  2. JAMES M. HUTCHISSON
  3. pp. 208-218
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  1. Checklist: Criticism of the 1911 Text
  2. pp. 219-220
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  1. Contributors
  2. pp. 221-222
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  1. Index
  2. pp. 223-227
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