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Contemporary Chinese art is nowadays a subject area widely taught and researched in academic and non-academic publications, but it has not yet been studied by 'localizing' the research in specific cultural areas within the Chinese world. Selecting Hong Kong for a first such study was an obvious choice, since Hong Kong culture has had for already quite a long time very specific features which have put it apart from the generally accepted definition of Chinese national culture. Although it is not a survey of 'Hong Kong art,' as such a study would demand many more books, the works of about eighty artists working in Hong Kong (and sometimes outside) have been analyzed and contextualized in these pages.

Table of Contents

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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Preface
  2. pp. ix-xiv
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  1. Illustrations
  2. pp. xvii-lx
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  1. 1. Localized Diaspora
  2. pp. 1-28
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  1. 2. Body without Organs
  2. pp. 29-54
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  1. 3. Infra-national Culture
  2. pp. 55-82
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  1. 4. Deterritorializing Concepts
  2. pp. 83-132
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  1. 5. Hybridization
  2. pp. 133-172
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  1. 6. Connecting Nodes
  2. pp. 173-228
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  1. 7. Pearl River Delta
  2. pp. 229-268
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  1. Coda: Plasticians Are Idiots
  2. pp. 269-272
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  1. Notes
  2. pp. 273-300
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  1. Bibliography
  2. pp. 301-308
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  1. Index
  2. pp. 309-316
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