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Marianna Torgovnick maintains that it is worthwhile to think about novels in terms of the visual arts--in part because major novelists like James, Lawrence, and Woolf did so, and did so fruitfully, as they were influenced by their perceptions of artistic movements.

Originally published in 1985.

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Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. CONTENTS
  2. p. vii
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  1. PLATES
  2. pp. ix-x
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  1. ACKNOWLEDGMENTS
  2. p. xi
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  1. Introduction
  2. pp. 3-36
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  1. One IN THE DOCUMENTARY MODE: JAMES, LAWRENCE, WOOLF, AND THE VISUAL ARTS
  2. pp. 37-69
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  1. Two PAINTBRUSHES, CHISELS, AND RED HERRINGS: DECORATIVE USES OF THE VISUAL ARTS AND PICTORIALISM IN SELECTED NOVELS BY JAMES AND EARLIER NOVELISTS
  2. pp. 70-110
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  1. Three THE SISTERS' ARTS: VIRGINIA WOOLF AND VANESSA BELL
  2. pp. 111-127
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  1. Four ART, IDEOLOGIES, AND IDEALS IN FICTION: THE CONTRASTING CASES OF VIRGINIA WOOLF AND D. H. LAWRENCE
  2. pp. 128-168
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  1. Five PERCEPTION, IMPRESSION, AND KNOWLEDGE IN THE PORTRAIT OF A LADY, THE AMBASSADORS, AND THE GOLDEN BOWL
  2. pp. 169-203
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  1. Six ENCODING THE TABOO IN WOMEN IN LOVE<
  2. pp. 204-229
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  1. CONCLUSIONS
  2. pp. 230-240
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  1. NOTES
  2. pp. 241-264
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  1. BIBLIOGRAPHY
  2. pp. 265-274
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  1. I N D EX
  2. pp. 275-284
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