In this Book

summary

Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater.

The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science.

Originally published in 1999.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-xii
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  1. Acknowledgments
  2. pp. xiii-xvi
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  1. 1. Instruments and Images: Subjects for the Historiography of Science
  2. pp. 18-28
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  1. 2. Athanasius Kircher's Sunflower Clock
  2. pp. 29-51
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  1. 3. The Magic Lantern and the Art of Demonstration
  2. pp. 52-86
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  1. 4. The Ocular Harpsichord of Louis-Bertrand Castel; or, The Instrument That Wasn't
  2. pp. 87-100
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  1. 5. The Aeolian Harp and the Romantic Quest of Nature
  2. pp. 101-127
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  1. 6. Science since Babel: Graphs, Automatic Recording Devices, and the Universal Language of Instruments
  2. pp. 128-162
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  1. 7. The Giant Eyes of Science: The Stereoscope and Photographic Depiction in the Nineteenth Century
  2. pp. 163-192
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  1. 8. Vox Mechanica: The History of Speaking Machines
  2. pp. 193-235
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  1. 9. Conclusion
  2. pp. 236-247
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  1. Notes
  2. pp. 248-301
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  1. Bibliography
  2. pp. 302-339
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  1. Index
  2. pp. 340-352
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Additional Information

ISBN
9781400864119
MARC Record
OCLC
889252900
Pages
352
Launched on MUSE
2015-01-01
Language
English
Open Access
No
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