In this Book

summary

In his award-winning first book, J. Michael Martinez reenvisions Latino poetics and its current conceptions of cultural identity. In Heredities, he opens a historically ravaged continental body through a metaphysical dissection into Being and silence. The hand manipulates a surgical etymology through the spine: the longitude where "history gathers in the name we never are." The poems seek to speak beyond codified aesthetics and dictated identity politics in order to recognize a territory of "irreducible otherness" where the self's sinew may be "reeved through revelation" and where, finally, one finds "obscurity bonded to light." This stunning collection heralds the arrival of an important new voice in American poetry.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication, Quotations
  2. pp. i-vi
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  1. Contents
  2. pp. vii-2
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  1. I
  1. Heredities (1) Etymology
  2. p. 5
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  1. Xicano
  2. p. 6
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  1. Maria
  2. pp. 7-8
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  1. He Name Me Miklo
  2. p. 9
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  1. White
  2. p. 10
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  1. Aporia
  2. pp. 11-18
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  1. II
  1. Heredities (2) Corporeity
  2. p. 21
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  1. Water Poppies Open as the Mouth
  2. pp. 22-23
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  1. Binding of the Reeds
  2. pp. 24-26
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  1. Heredities: Letters of Relation
  2. pp. 27-45
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  1. Articulations of Quetzalcoatl’s Spine
  2. p. 46
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  1. The Sternum of Our Lady of Guadalupe
  2. pp. 47-48
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  1. The Lady of Guadalupe’s Dream and Jade Ruin
  2. pp. 49-50
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  1. III
  1. Heredities (3) Archetype
  2. p. 53
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  1. Parable of the Pigeon
  2. p. 54
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  1. In the Year of the Jubilee
  2. pp. 55-59
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  1. The Quietest Heaven
  2. p. 60
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  1. White Song
  2. pp. 61-62
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  1. Portrait of an Iris
  2. p. 63
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  1. Meister Eckhart’s Sermon on Flowers and the Philosopher’s Reply
  2. p. 64
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  1. Atopos
  2. pp. 65-70
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  1. Heredities (4) Amma
  2. pp. 71-74
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  1. Notes
  2. pp. 75-78
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