In this Book

summary
Additional Volumes and Resources

We are delighted to announce that Volume 2 of The Complete Prose of T. S. Eliot: The Critical Edition was awarded the Modernist Studies Association 2015 Book Prize for an Edition, Anthology, or Essay Collection.

The Perfect Critic, 1919-1926, Volume 2 of The  Complete Prose of T. S. Eliot, documents Eliot's emergence as an authoritative and commanding critical voice in twentieth-century letters. The essays and reviews in this volume, most of which were never republished or collected after their first appearances in periodicals, trace the swift and astonishing arc of his rise to international prominence as an incisive critic of literature and culture, an avant-garde poet, and an editor of a successful and celebrated London journal. These seven years register the seismic shift in modern poetry that comes with the publication of The Waste Land (1922), and they witness the appearance of Eliot's first collected volume of verse, Poems, 1909-1925 (1925).

Eliot composed not less than 130 essays, reviews, and letters during this brief time, publishing in venues as various as The Athenaeum, The Times Literary Supplement, La Nouvelle Revue française, The Dial, and Vanity Fair. Such a period of intense creativity and prolific critical writing is all the more remarkable when considered against the backdrop of the extraordinary upheavals in his personal life: the unexpected deaths of his father and sister, the dismal mental and physical health of his wife Vivienne, and Eliot's own psychological breakdown and treatment. The volume features a thorough historical introduction that describes the dynamic and challenging circumstances, both personal and professional, that faced him as he began to establish his critical reputation in London literary circles and beyond.

  The Perfect Critic gathers together an impressive and widely unknown body of work, but it includes also several of Eliot's most influential and enduring essays—“Tradition and the Individual Talent,” “Hamlet,” “The Metaphysical Poets,” and “Ulysses, Order, and Myth”—now edited and annotated by Anthony Cuda and Ronald Schuchard. These magisterial early works furnish us with the signal concepts and phrases that have made Eliot's criticism a permanent feature of monographs, syllabi, and anthologies, including the “extinction of personality,” the “objective correlative,” the “dissociation of sensibility,” and the “mythical method.”

  The Perfect Critic includes a previously unpublished essay, “A Neglected Aspect of Chapman,” as well as the contents of two influential prose volumes published during the period, The Sacred Wood (1920) and Homage to John Dryden (1924). It also contains newly edited versions of the eight Clark Lectures that Eliot delivered in 1926 for the prestigious series at Trinity College, Cambridge.

  Anthony Cuda, associate professor of English at the University of North Carolina, Greensboro, is the author of The Passions of Modernism: Eliot, Yeats, Woolf and Mann (2010). He has published articles on Eliot, Yeats, and Heaney, and his reviews of contemporary poetry have appeared in The Washington Post Book World, The New Criterion, FIELD: Contemporary Poetry and Poetics, and elsewhere. He is a member of the Board of Directors of the T. S. Eliot Society and a regular lecturer at the T. S. Eliot International Summer School. 

Ronald Schuchard, the Goodrich C. White Professor of English, Emeritus, at Emory University, is the author of award-winning Eliot's Dark Angel (1999) and The Last Minstrels: Yeats and the Revival of the Bardic Arts (2008). The editor of Eliot's Clark and Turnbull lectures, The Varieties of Metaphysical Poetry (1993), he is co-editor with John Kelly of The Collected Letters of W. B. Yeats, Volume 3 (1994), Volume 4 (2005), winner of the MLA's Cohen Award for a Distinguished Edition of Letters, and Volume 5 (forthcoming). A former Guggenheim fellow and founder-director of the T. S. Eliot International Summer School (2009-2013), he is a fellow of the American Academy of Arts and Sciences.

Table of Contents

  1. Cover
  2. restricted access
    • Download PDF Download
    contents
  1. Title Page, Copyright
  2. restricted access
    • Download PDF Download
    contents
  1. Contents
  2. pp. v-xii
  3. restricted access
    • Download PDF Download
    contents
  1. The Perfect Critic, 1919-1926: Introduction
  2. pp. xiii-xlii
  3. restricted access
    • Download PDF Download
    contents
  1. Editorial Procedures and Principles
  2. pp. xliii-l
  3. restricted access
    • Download PDF Download
    contents
  1. Acknowledgments
  2. pp. li-liv
  3. restricted access
    • Download PDF Download
    contents
  1. List of Abbreviations
  2. pp. lv-lviii
  3. restricted access
    • Download PDF Download
    contents
  1. List of Illustrations
  2. pp. lix-lxii
  3. restricted access
    • Download PDF Download
    contents
  1. Marivaux
  2. pp. 1-9
  3. restricted access
    • Download PDF Download
    contents
  1. The New Elizabethans and the Old. A review of The New Elizabethans: A First Selection of the Lives of Young Men Who Have Fallen in the Great War, by E. B. Osborn
  2. pp. 10-15
  3. restricted access
    • Download PDF Download
    contents
  1. The Post-Georgians. A review of Wheels: A Third Cycle, ed. Edith Sitwell
  2. pp. 16-20
  3. restricted access
    • Download PDF Download
    contents
  1. American Literature. A review of A History of American Literature, vol. II, ed. William P. Trent et al.
  2. pp. 21-25
  3. restricted access
    • Download PDF Download
    contents
  1. A Romantic Aristocra
  2. pp. 26-32
  3. restricted access
    • Download PDF Download
    contents
  1. Kipling Redivivus. A review of The Years Between, by Rudyard Kipling
  2. pp. 33-39
  3. restricted access
    • Download PDF Download
    contents
  1. Kipling Redivivus. To the Editor of The Athenaeum
  2. p. 40
  3. restricted access
    • Download PDF Download
    contents
  1. A Sceptical Patrician. A review of The Education of Henry Adams: An Autobiography
  2. pp. 41-47
  3. restricted access
    • Download PDF Download
    contents
  1. Beyle and Balzac. A review of A History of the French Novel, to the Close of the Nineteenth Century, vol. II, by George Saintsbury
  2. pp. 48-53
  3. restricted access
    • Download PDF Download
    contents
  1. Criticism in England. A review of Old and New Masters, by Robert Lynd
  2. pp. 54-59
  3. restricted access
    • Download PDF Download
    contents
  1. The Education of Taste. A review of English Literature during the Last Half-Century, by J. W. Cunliffe
  2. pp. 60-65
  3. restricted access
    • Download PDF Download
    contents
  1. A Foreign Mind. A review of The Cutting of an Agate, by W. B. Yeats
  2. pp. 72-76
  3. restricted access
    • Download PDF Download
    contents
  1. The Romantic Generation, If It Existed. A review of Currents and Eddies in the English Romantic Generation, by Frederick E. Pierce
  2. pp. 77-82
  3. restricted access
    • Download PDF Download
    contents
  1. “Rhetoric” and Poetic Drama
  2. pp. 83-91
  3. restricted access
    • Download PDF Download
    contents
  1. Was There a Scottish Literature? A review of Scottish Literature: Character and Influence, by G. Gregory Smith
  2. pp. 92-96
  3. restricted access
    • Download PDF Download
    contents
  1. Christopher Marlowe
  2. pp. 97-104
  3. restricted access
    • Download PDF Download
    contents
  1. Tradition and the Individual Talent
  2. pp. 105-114
  3. restricted access
    • Download PDF Download
    contents
  1. Swinburne as Critic
  2. pp. 115-121
  3. restricted access
    • Download PDF Download
    contents
  1. Hamlet
  2. pp. 122-128
  3. restricted access
    • Download PDF Download
    contents
  1. Murmuring of Innumerable Bees. An unsigned review of Coterie: An Illustrated Quarterly, 2 (Sept 1919). Pp. 64.
  2. pp. 129-131
  3. restricted access
    • Download PDF Download
    contents
  1. War-paint and Feathers. A review of The Path on the Rainbow: An Anthology of Songs and Chants from the Indians of North America, ed. George W. Cronyn
  2. pp. 137-140
  3. restricted access
    • Download PDF Download
    contents
  1. The Method of Mr. Pound. A review of Quia Pauper Amavi, by Ezra Pound
  2. pp. 141-146
  3. restricted access
    • Download PDF Download
    contents
  1. Our Inaccessible Heritage. To the Editor of The Athenaeum
  2. pp. 147-148
  3. restricted access
    • Download PDF Download
    contents
  1. Mr. Pound and His Poetry. To the Editor of The Athenaeum
  2. p. 149
  3. restricted access
    • Download PDF Download
    contents
  1. Ben Jonson
  2. pp. 150-164
  3. restricted access
    • Download PDF Download
    contents
  1. The Preacher as Artist. A review of Donne’s Sermons: Selected Passages, ed. Logan Pearsall Smith
  2. pp. 165-169
  3. restricted access
    • Download PDF Download
    contents
  1. The Duchess of Malfi at the Lyric: and Poetic Drama
  2. pp. 170-175
  3. restricted access
    • Download PDF Download
    contents
  1. The Local Flavour
  2. pp. 176-180
  3. restricted access
    • Download PDF Download
    contents
  1. Swinburne as Poet
  2. pp. 181-186
  3. restricted access
    • Download PDF Download
    contents
  1. William Blake
  2. pp. 187-192
  3. restricted access
    • Download PDF Download
    contents
  1. The Phoenix Society. To the Editor of The Athenaeum
  2. pp. 193-194
  3. restricted access
    • Download PDF Download
    contents
  1. Euripides and Professor Murray
  2. pp. 195-201
  3. restricted access
    • Download PDF Download
    contents
  1. A Brief Treatise on the Criticism of Poetry
  2. pp. 202-211
  3. restricted access
    • Download PDF Download
    contents
  1. Modern Tendencies in Poetry
  2. pp. 212-225
  3. restricted access
    • Download PDF Download
    contents
  1. Dante
  2. pp. 226-237
  3. restricted access
    • Download PDF Download
    contents
  1. The Criticism of Poetry. To the Editor of the TLS
  2. pp. 238-239
  3. restricted access
    • Download PDF Download
    contents
  1. The Poetic Drama. A review of Cinnamon and Angelica: A Play, by John Middleton Murry
  2. pp. 240-243
  3. restricted access
    • Download PDF Download
    contents
  1. Philip Massinger
  2. pp. 244-259
  3. restricted access
    • Download PDF Download
    contents
  1. Artists and Men of Genius. To the Editor of The Athenaeum
  2. pp. 260-261
  3. restricted access
    • Download PDF Download
    contents
  1. The Perfect Critic
  2. pp. 262-272
  3. restricted access
    • Download PDF Download
    contents
  1. The Perfect Critic. To the Editor of The Athenaeum
  2. pp. 273-274
  3. restricted access
    • Download PDF Download
    contents
  1. A French Romantic. To the Editor of the TLS
  2. pp. 275-277
  3. restricted access
    • Download PDF Download
    contents
  1. The Possibility of a Poetic Drama
  2. pp. 278-285
  3. restricted access
    • Download PDF Download
    contents
  1. A Note on the American Critic
  2. pp. 286-290
  3. restricted access
    • Download PDF Download
    contents
  1. The French Intelligence
  2. pp. 291-293
  3. restricted access
    • Download PDF Download
    contents
  1. Introduction. The Sacred Wood: Essays on Poetry and Criticism
  2. pp. 294-299
  3. restricted access
    • Download PDF Download
    contents
  1. Autobiographical Note. Harvard College Class of 1910, Secretary’s Fourth Report
  2. pp. 300-301
  3. restricted access
    • Download PDF Download
    contents
  1. The Romantic Englishman, the Comic Spirit, and the Function of Criticism
  2. pp. 302-305
  3. restricted access
    • Download PDF Download
    contents
  1. The Lesson of Baudelaire
  2. pp. 306-308
  3. restricted access
    • Download PDF Download
    contents
  1. Andrew Marvell
  2. pp. 309-323
  3. restricted access
    • Download PDF Download
    contents
  1. Prose and Verse
  2. pp. 324-332
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: March, 1921
  2. pp. 333-340
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: May, 1921
  2. pp. 341-349
  3. restricted access
    • Download PDF Download
    contents
  1. John Dryden
  2. pp. 350-361
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: July, 1921
  2. pp. 362-368
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: September, 1921
  2. pp. 369-374
  3. restricted access
    • Download PDF Download
    contents
  1. The Metaphysical Poets
  2. pp. 375-385
  3. restricted access
    • Download PDF Download
    contents
  1. The Metaphysical Poets. To the Editor of the TLS
  2. pp. 386-387
  3. restricted access
    • Download PDF Download
    contents
  1. Poets and Anthologies. To the Editor of the TLS
  2. pp. 388-389
  3. restricted access
    • Download PDF Download
    contents
  1. The Three Provincialities
  2. pp. 390-393
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: April, 1922
  2. pp. 394-398
  3. restricted access
    • Download PDF Download
    contents
  1. Lettre d’Angleterre (May 1922)
  2. pp. 399-405
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: June, 1922
  2. pp. 406-410
  3. restricted access
    • Download PDF Download
    contents
  1. London Letter: August, 1922
  2. pp. 411-415
  3. restricted access
    • Download PDF Download
    contents
  1. To the Editor of The Liverpool Daily Post and Mercury
  2. pp. 416-417
  3. restricted access
    • Download PDF Download
    contents
  1. Marie Lloyd
  2. pp. 418-423
  3. restricted access
    • Download PDF Download
    contents
  1. Lettre d’Angleterre: Le style dans la prose anglaise contemporaine (Dec 1922)
  2. pp. 424-429
  3. restricted access
    • Download PDF Download
    contents
  1. To the Editor of The Daily Mail
  2. pp. 430-431
  3. restricted access
    • Download PDF Download
    contents
  1. To the Literary Editor of The Chicago Daily News
  2. p. 432
  3. restricted access
    • Download PDF Download
    contents
  1. Dramatis Personae
  2. pp. 433-437
  3. restricted access
    • Download PDF Download
    contents
  1. To the Literary Editor of The Globe and Commercial Advertiser
  2. pp. 438-439
  3. restricted access
    • Download PDF Download
    contents
  1. John Donne. A review of Love Poems of John Donne
  2. pp. 440-444
  3. restricted access
    • Download PDF Download
    contents
  1. Ben Jonson. To the Editor of The Nation and the Athenaeum
  2. p. 445
  3. restricted access
    • Download PDF Download
    contents
  1. The Function of a Literary Review
  2. pp. 446-447
  3. restricted access
    • Download PDF Download
    contents
  1. Contemporary English Prose. A Discussion of the Development of English Prose from Hobbes and Sir Thomas Browne to Joyce and D. H. Lawrence
  2. pp. 448-454
  3. restricted access
    • Download PDF Download
    contents
  1. Andrew Marvell. A review of Miscellaneous Poems, by Andrew Marvell
  2. pp. 455-457
  3. restricted access
    • Download PDF Download
    contents
  1. The Function of Criticism
  2. pp. 458-468
  3. restricted access
    • Download PDF Download
    contents
  1. The Classics in France – and in England
  2. pp. 469-470
  3. restricted access
    • Download PDF Download
    contents
  1. Ulysses, Order, and Myth. A review of Ulysses, by James Joyce
  2. pp. 476-481
  3. restricted access
    • Download PDF Download
    contents
  1. A Preface to Modern Literature: Being a Conspectus, Chiefly of English Poetry, Addressed to an Intelligent and Inquiring Foreigner
  2. pp. 482-488
  3. restricted access
    • Download PDF Download
    contents
  1. Lettre d’Angleterre (Nov 1923)
  2. pp. 489-494
  3. restricted access
    • Download PDF Download
    contents
  1. Marianne Moore. A review of Poems and Marriage, by Marianne Moore
  2. pp. 495-499
  3. restricted access
    • Download PDF Download
    contents
  1. To the Editor of The Transatlantic Review
  2. pp. 500-502
  3. restricted access
    • Download PDF Download
    contents
  1. Four Elizabethan Dramatists: A Preface to an Unwritten Book
  2. pp. 503-512
  3. restricted access
    • Download PDF Download
    contents
  1. A Prediction in Regard to Three English Authors: Writers Who, Though Masters of Thought, are Likewise Masters of Art
  2. pp. 513-520
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (Apr 1924)
  2. pp. 521-528
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (July 1924)
  2. pp. 529-535
  3. restricted access
    • Download PDF Download
    contents
  1. An untitled review of The Growth of Civilization and The Origin of Magic and Religion, by W. J. Perry
  2. pp. 536-538
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (Oct 1924)
  2. pp. 539-545
  3. restricted access
    • Download PDF Download
    contents
  1. Preface to Homage to John Dryden: Three Essays on Poetry of the Seventeenth Century
  2. pp. 546-547
  3. restricted access
    • Download PDF Download
    contents
  1. A Neglected Aspect of Chapman
  2. pp. 548-558
  3. restricted access
    • Download PDF Download
    contents
  1. A Brief Introduction to the Method of Paul Valéry. Le Serpent, par Paul Valéry. With a Translation into English by Mark Wardle and an Introduction by T. S. Eliot
  2. pp. 559-566
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (Jan 1925)
  2. pp. 567-571
  3. restricted access
    • Download PDF Download
    contents
  1. On the Eve: A Dialogue [with Vivien Eliot]
  2. pp. 572-575
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (Apr 1925)
  2. pp. 576-580
  3. restricted access
    • Download PDF Download
    contents
  1. Rencontre
  2. pp. 585-588
  3. restricted access
    • Download PDF Download
    contents
  1. Why Rural Verse. A review of Spring Thunder and Other Poems, by Mark Van Doren
  2. pp. 589-591
  3. restricted access
    • Download PDF Download
    contents
  1. Autobiographical Note. Harvard College Class of 1910, Quindecennial Report
  2. p. 592
  3. restricted access
    • Download PDF Download
    contents
  1. English Satire. An unsigned review of English Satire and Satirists, by Hugh Walker
  2. pp. 593-595
  3. restricted access
    • Download PDF Download
    contents
  1. An Italian Critic on Donne and Crashaw. An unsigned review of Secentismo e marinismo in Inghilterra: John Donne – Richard Crashaw, by Mario Praz
  2. pp. 596-599
  3. restricted access
    • Download PDF Download
    contents
  1. Shakespeare and Montaigne. An unsigned review of Shakspeare’s Debt to Montaigne, by George Coffin Taylor
  2. pp. 600-602
  3. restricted access
    • Download PDF Download
    contents
  1. Wanley and Chapman. An unsigned review of Essays and Studies by Members of the English Association, vol. XI, collected by Oliver Elton
  2. pp. 603-608
  3. restricted access
    • Download PDF Download
    contents
  1. The Clark Lectures: Lectures on the Metaphysical Poetry of the Seventeenth Century with Special Reference to Donne, Crashaw and Cowley
  2. p. 609
  1. [Author's Preface] / Lecture I: Introduction: On the Definition of Metaphysical Poetry
  2. p. 609
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture II: Donne and the Middle Ages
  2. pp. 628-647
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture III: Donne and the Trecento
  2. pp. 648-668
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture IV: The Conceit in Donne
  2. pp. 669-685
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture V: Donne’s Longer Poems
  2. pp. 686-704
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture VI: Crashaw
  2. pp. 705-724
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture VII: Cowley and the Transition
  2. pp. 725-741
  3. restricted access
    • Download PDF Download
    contents
  1. Lecture VIII: The Nineteenth Century
  2. pp. 742-759
  3. restricted access
    • Download PDF Download
    contents
  1. Textual Notes
  2. pp. 759-761
  3. restricted access
    • Download PDF Download
    contents
  1. The Idea of a Literary Review
  2. pp. 762-767
  3. restricted access
    • Download PDF Download
    contents
  1. A Popular Shakespeare. An unsigned review of The Works of Shakespeare, vols. I-III. Introductions by Charles Whibley
  2. pp. 768-770
  3. restricted access
    • Download PDF Download
    contents
  1. Introduction to Savonarola: A Dramatic Poem, by Charlotte Eliot
  2. pp. 771-776
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (Apr 1926)
  2. pp. 777-780
  3. restricted access
    • Download PDF Download
    contents
  1. Mr. Robertson and Mr. Shaw. A review of Mr. Shaw and “The Maid,” by J. M. Robertson
  2. pp. 781-782
  3. restricted access
    • Download PDF Download
    contents
  1. An untitled review of All God’s Chillun Got Wings (with Desire under the Elms and Welded), by Eugene O’Neill
  2. pp. 783-784
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (June 1926)
  2. pp. 785-789
  3. restricted access
    • Download PDF Download
    contents
  1. English Verse Satire. An unsigned review of A Book of English Verse Satire, ed. A. G. Barnes
  2. pp. 790-794
  3. restricted access
    • Download PDF Download
    contents
  1. The Influence of Ovid. An unsigned review of Ovid and his Influence, by Edward Kennard Rand
  2. pp. 795-796
  3. restricted access
    • Download PDF Download
    contents
  1. The Author of “The Burning Babe.” An unsigned review of The Book of Robert Southwell, by Christobel M. Hood
  2. pp. 797-800
  3. restricted access
    • Download PDF Download
    contents
  1. Plague Pamphlets. An unsigned review of The Plague Pamphlets of Thomas Dekker, ed. F. P. Wilson
  2. pp. 801-804
  3. restricted access
    • Download PDF Download
    contents
  1. Creative Criticism. An unsigned review of Creative Criticism: Essays on the Unity of Genius and Taste, by J. E. Spingarn
  2. pp. 805-806
  3. restricted access
    • Download PDF Download
    contents
  1. Chaucer’s “Troilus.” An unsigned review of The Book of Troilus and Criseyde, by Geoffrey Chaucer, ed. Robert Kilburn Root
  2. pp. 807-811
  3. restricted access
    • Download PDF Download
    contents
  1. Lancelot Andrewes
  2. pp. 817-829
  3. restricted access
    • Download PDF Download
    contents
  1. A Commentary (Oct 1926)
  2. pp. 830-833
  3. restricted access
    • Download PDF Download
    contents
  1. Mr. Read and M. Fernandez. A review of Reason and Romanticism: Essays in Literary Criticism, by Herbert Read; and Messages, by Ramon Fernandez
  2. pp. 834-842
  3. restricted access
    • Download PDF Download
    contents
  1. Note sur Mallarmé et Poe
  2. pp. 843-847
  3. restricted access
    • Download PDF Download
    contents
  1. More and Tudor Drama. An unsigned review of Early Tudor Drama: Medwall, the Rastells, Heywood, and the More Circle, by A. W. Reed
  2. pp. 856-859
  3. restricted access
    • Download PDF Download
    contents
  1. Sir John Davies
  2. pp. 860-867
  3. restricted access
    • Download PDF Download
    contents
  1. Early Tudor Drama. To the Editor of the TLS
  2. pp. 868-869
  3. restricted access
    • Download PDF Download
    contents
  1. Medieval Philosophy. An unsigned review of History of Mediaeval Philosophy, by Maurice De Wulf
  2. pp. 870-873
  3. restricted access
    • Download PDF Download
    contents
  1. Mr. J. M. Robertson and Shakespeare. To the Editor of The Nation and the Athenaeum
  2. pp. 874-875
  3. restricted access
    • Download PDF Download
    contents
  1. Whitman and Tennyson. A review of Whitman: An Interpretation in Narrative, by Emory Holloway
  2. pp. 876-880
  3. restricted access
    • Download PDF Download
    contents
  1. Index
  2. pp. 881-896
  3. restricted access
    • Download PDF Download
    contents
  1. Image Plates
  2. pp. 897-928
  3. restricted access
    • Download PDF Download
    contents
  1. Errata
  2. restricted access
    • Download PDF Download
    contents

Additional Information

ISBN
9781421412955
Related ISBN
9781421406770
MARC Record
OCLC
882598329
Pages
992
Launched on MUSE
2014-07-03
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.