In this Book

summary
Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s.Absher’s work diverges from existing studies in three ways: First, she takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community. Second, Absher brings numerous maps to the history, illustrating the relationship between Chicago’s physical lines of segregation and the geography of black music in the city over the years. Third, Absher’s use of archival sources is both extensive and original, drawing on manuscript and oral history collections at the Center for Black Music Research in Chicago, Columbia University, Rutgers’s Institute of Jazz Studies, and Tulane’s Hogan Jazz Archive. By approaching the Chicago black musical community from these previously untapped angles, Absher offers a history that goes beyond the retelling of the achievements of the famous musicians by discussing musicians as a group. In The Black Musician and the White City, black musicians are the leading actors, thinkers, organizers, and critics of their own story.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page, Dedication
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-xii
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  1. Introduction
  2. pp. 1-15
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  1. 1. Musicians and the Segregated City: Chicago in the Early 1900s-1930s
  2. pp. 16-47
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  1. 2. From South to South Side: Musicians in 1940s Chicago
  2. pp. 48-81
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  1. 3. Redefining the Music Industry: Independent Music in Chicago, 1948–1953
  2. pp. 82-97
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  1. 4. From South Side to the South and the Nation, 1954–1963
  2. pp. 98-118
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  1. 5. Dissonance and the Desegregation of Chicago’s Musicians’ Union, 1963–1967
  2. pp. 119-146
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  1. Coda
  2. pp. 147-148
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  1. Notes
  2. pp. 149-186
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  1. Bibliography
  2. pp. 187-198
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  1. Index
  2. pp. 199-202
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Additional Information

ISBN
9780472029983
MARC Record
OCLC
882610680
Pages
200
Launched on MUSE
2014-07-18
Language
English
Open Access
Yes
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