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Vintage Visions is a seminal collection of scholarly essays on early works of science fiction and its antecedents. From Cyrano de Bergerac in 1657 to Olaf Stapledon in 1937, this anthology focuses on an unusually broad range of authors and works in the genre as it emerged across the globe, including the United States, Russia, Europe, and Latin America. The book includes material that will be of interest to both scholars and fans, including an extensive bibliography of criticism on early science fiction—the first of its kind—and a chronological listing of 150 key early works. Before Dr. Strangelove, future-war fiction was hugely popular in nineteenth-century Great Britain. Before Terminator, a French author depicted Thomas Edison as the creator of the perfect female android. These works and others are featured in this critical anthology.

Contributors include Paul K. Alkon, Andrea Bell, Josh Bernatchez, I. F. Clarke, William J. Fanning Jr., William B. Fischer, Allison de Fren, Susan Gubar, Rachel Haywood Ferreira, Kamila Kinyon, Stanislaw Lem, Patrick A. McCarthy, Sylvie Romanowski, Nicholas Ruddick, and Gary Westfahl.

Hardcover is un-jacketed.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. CONTENTS
  2. pp. v-vi
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  1. Preface
  2. pp. vii-xii
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  1. 1 Cyrano de Bergerac’s Epistemological Bodies: “Pregnant with a Thousand Definitions” (1998, with an afterword by Ishbel Addyman)
  2. Sylvie Romanowski
  3. pp. 1-24
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  1. 2 Samuel Madden’s Memoirs of the Twentieth Century (1985)
  2. Paul K. Alkon
  3. pp. 25-46
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  1. 3 German Theories of Science Fiction: Jean Paul, Kurd Lasswitz, and After (1976)
  2. William B. Fischer
  3. pp. 47-65
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  1. 4 Monstrosity, Suffering, Subjectivity, and Sympathetic Community in Frankenstein and “The Structure of Torture” (2009)
  2. Josh Bernatchez
  3. pp. 66-81
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  1. 5 Science Fiction vs. Scientific Fiction in France: From Jules Verne to J.-H. Rosny Aîné (1988)
  2. Arthur B. Evans
  3. pp. 82-95
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  1. 6 Future-War Fiction: The First Main Phase, 1871–1900 (1997, with an afterword by Margaret Clarke)
  2. I. F. Clarke
  3. pp. 96-123
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  1. 7 The Anatomical Gaze in Tomorrow’s Eve (2009)
  2. Allison de Fren
  3. pp. 124-162
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  1. 8 Desde Júpiter: Chile’s Earliest Science-Fiction Novel (1995)
  2. Andrea Bell
  3. pp. 163-176
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  1. 9 The First Wave: Latin American Science Fiction Discovers Its Roots (2007)
  2. Rachel Haywood Ferreira
  3. pp. 177-216
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  1. 10 “Tell Us All About Little Rosebery”: Topicality and Temporality in H. G. Wells’s The Time Machine (2001)
  2. Nicholas Ruddick
  3. pp. 217-239
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  1. 11 The Phenomenology of Robots: Confrontations with Death in Karel Čapek’s R.U.R. (1999)
  2. Kamila Kinyon
  3. pp. 240-266
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  1. 12 Zamyatin and the Nightmare of Technology (1984)
  2. Patrick A. McCarthy
  3. pp. 267-277
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  1. 13 “The Jules Verne, H. G. Wells, and Edgar Allan Poe Type of Story”: Hugo Gernsback’s History of Science Fiction (1992)
  2. Gary Westfahl
  3. pp. 278-297
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  1. 14 The Historical Death Ray and Science Fiction in the 1920s and 1930s (2010)
  2. William J. Fanning, Jr.
  3. pp. 298-324
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  1. 15 C. L. Moore and the Conventions of Women’s Science Fiction (1980, with an afterword by Veronica Hollinger)
  2. Susan Gubar
  3. pp. 325-341
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  1. 16 On Stapledon’s Star Maker (1987, with an afterword by Istvan Csicsery-Ronay,Jr.)
  2. Stanislaw Lem
  3. pp. 342-352
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  1. 150 Key Works of Early Science Fiction
  2. pp. 353-356
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  1. Bibliography of Criticism on Early Science Fiction
  2. pp. 357-432
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  1. Contributors
  2. p. 433
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  1. Series Page
  2. p. 434
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