In this Book
Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920
Book
2013
Published by:
The University of Alabama Press
summary
A compelling analysis of how "middling" Americans entertained themselves and how these entertainments changed over time.
The changing styles of middle-class home entertainments, Melanie Dawson argues, point to evolving ideas of class identity in U.S. culture. Drawing from 19th- and early-20th-century fiction, guidebooks on leisure, newspaper columns, and a polemical examination of class structures, Laboring to Play interrogates the ways that leisure performances (such as parlor games, charades, home dramas, and tableaux vivants) encouraged participants to test out the boundaries that were beginning to define middle-class lifestyles.
From 19th-century parlor games involving grotesque physical contortions to early-20th-century recitations of an idealized past, leisure employments mediated between domestic and public spheres, individuals and class-based affiliations, and ideals of egalitarian social life and visible hierarchies based on privilege. Negotiating these paradigms, home entertainments provided their participants with unique ways of performing displays of individual ambitions within a world of polite social interaction.
Laboring to Play deals with subjects as wide ranging as social performances, social history (etiquette and gentility), literary history, representations of childhood, and the history of the book.
The changing styles of middle-class home entertainments, Melanie Dawson argues, point to evolving ideas of class identity in U.S. culture. Drawing from 19th- and early-20th-century fiction, guidebooks on leisure, newspaper columns, and a polemical examination of class structures, Laboring to Play interrogates the ways that leisure performances (such as parlor games, charades, home dramas, and tableaux vivants) encouraged participants to test out the boundaries that were beginning to define middle-class lifestyles.
From 19th-century parlor games involving grotesque physical contortions to early-20th-century recitations of an idealized past, leisure employments mediated between domestic and public spheres, individuals and class-based affiliations, and ideals of egalitarian social life and visible hierarchies based on privilege. Negotiating these paradigms, home entertainments provided their participants with unique ways of performing displays of individual ambitions within a world of polite social interaction.
Laboring to Play deals with subjects as wide ranging as social performances, social history (etiquette and gentility), literary history, representations of childhood, and the history of the book.
Table of Contents
Cover
Title Page, Copyright
Contents
pp. v-vi
List of Illustrations
pp. vii-viii
Acknowledgments
pp. ix-x
Introduction
pp. 1-19
1. Labor, Leisure, and the Scope of Ungenteel Play
pp. 20-45
2. Dramatic Regression: The Borrowed Pleasures and Privileges of Youth
pp. 46-70
3. Fracturing Genteel Identity: The Cultural Work of Grotesque Play
pp. 71-100
4. Skills Rewarded: Women's Lives Transformed through Entertainment
pp. 101-129
5. Staging Disaster: Turn-of-the-Century Entertainment Scenes and the Failure of Personal Transformation
pp. 130-158
6. Old Games, New Narratives, and the Specter of a Generational Divide
pp. 159-183
7. Imagined Unity: Entertainment's Communal Spectacles and Shared Histories
pp. 184-207
Epilogue
pp. 208-212
Notes
pp. 213-240
Selected Bibliography
pp. 241-248
Index
pp. 249-257
| ISBN | 9780817387334 |
|---|---|
| Related ISBN(s) | 9780817314491, 9780817357641 |
| MARC Record | Download |
| OCLC | 860712637 |
| Pages | 269 |
| Launched on MUSE | 2015-01-01 |
| Language | English |
| Open Access | No |
Copyright
2005


