In this Book
Abortion in the American Imagination: Before Life and Choice, 1880-1940
Book
2014
Published by:
Rutgers University Press
summary
The public debate on abortion stretches back much further than Roe v. Wade, to long before the terms “pro-choice” and “pro-life” were ever invented. Yet the ways Americans discussed abortion in the early decades of the twentieth century had little in common with our now-entrenched debates about personal responsibility and individual autonomy.
Abortion in the American Imagination returns to the moment when American writers first dared to broach the controversial subject of abortion. What was once a topic avoided by polite society, only discussed in vague euphemisms behind closed doors, suddenly became open to vigorous public debate as it was represented everywhere from sensationalistic melodramas to treatises on social reform. Literary scholar and cultural historian Karen Weingarten shows how these discussions were remarkably fluid and far-ranging, touching upon issues of eugenics, economics, race, and gender roles.
Weingarten traces the discourses on abortion across a wide array of media, putting fiction by canonical writers like William Faulkner, Edith Wharton, and Langston Hughes into conversation with the era’s films, newspaper articles, and activist rhetoric. By doing so, she exposes not only the ways that public perceptions of abortion changed over the course of the twentieth century, but also the ways in which these abortion debates shaped our very sense of what it means to be an American.
Abortion in the American Imagination returns to the moment when American writers first dared to broach the controversial subject of abortion. What was once a topic avoided by polite society, only discussed in vague euphemisms behind closed doors, suddenly became open to vigorous public debate as it was represented everywhere from sensationalistic melodramas to treatises on social reform. Literary scholar and cultural historian Karen Weingarten shows how these discussions were remarkably fluid and far-ranging, touching upon issues of eugenics, economics, race, and gender roles.
Weingarten traces the discourses on abortion across a wide array of media, putting fiction by canonical writers like William Faulkner, Edith Wharton, and Langston Hughes into conversation with the era’s films, newspaper articles, and activist rhetoric. By doing so, she exposes not only the ways that public perceptions of abortion changed over the course of the twentieth century, but also the ways in which these abortion debates shaped our very sense of what it means to be an American.
Table of Contents
Title Page, Copyright Page
pp. i-vi
Contents
pp. vii-viii
Acknowledgements
pp. ix-xiv
Introduction
pp. 1-13
1. The Biopolitics of Abortion as the Century Turns
pp. 14-37
2. The Inadvertent Alliance of Anthony Comstockand Margaret Sanger: Choice, Rights, and Freedom in Modern America
pp. 38-65
3. The Eugenics of Bad Girls: Abortion, Popular Fiction, and Population Control
pp. 66-95
4. Economies of Abortion: Money, Markets, and the Scene of Exchange
pp. 96-117
5. Making a Living: Labor, Life, and Abortion Rhetoric
pp. 118-138
Epilogue: 1944 and Beyond
pp. 139-146
Notes
pp. 147-170
Works Cited
pp. 171-184
Index
pp. 185-189
| ISBN | 9780813565392 |
|---|---|
| Related ISBN(s) | 9780813565309 |
| MARC Record | Download |
| OCLC | 878923555 |
| Pages | 204 |
| Launched on MUSE | 2014-06-11 |
| Language | English |
| Open Access | No |


