In this Book

buy this book Buy This Book in Print
summary

Charlie Chaplin was one of the cinema’s consummate comic performers, yet he has long been criticized as a lackluster film director. In this groundbreaking work—the first to analyze Chaplin’s directorial style—Donna Kornhaber radically recasts his status as a filmmaker. Spanning Chaplin’s career, Kornhaber discovers a sophisticated "Chaplinesque" visual style that draws from early cinema and slapstick and stands markedly apart from later, "classical" stylistic conventions. His is a manner of filmmaking that values space over time and simultaneity over sequence, crafting narrative and meaning through careful arrangement within the frame rather than cuts between frames. Opening up aesthetic possibilities beyond the typical boundaries of the classical Hollywood film, Chaplin’s filmmaking would profoundly influence directors from Fellini to Truffaut. To view Chaplin seriously as a director is to re-understand him as an artist and to reconsider the nature and breadth of his legacy.

 

Table of Contents

restricted access Download Full Book
  1. Cover
  2. restricted access
    • Download PDF Download
  1. Title Page, Copyright, Dedication, Quote
  2. restricted access
    • Download PDF Download
  1. Contents
  2. pp. ix-x
  3. restricted access
    • Download PDF Download
  1. Acknowledgments
  2. p. xi
  3. restricted access
    • Download PDF Download
  1. Introduction
  2. pp. -4
  3. restricted access
    • Download PDF Download
  1. Part I - Chaplin in Context
  1. 1. Chaplin at Keystone, Griffith at Biograph
  2. pp. 7-36
  3. restricted access
    • Download PDF Download
  1. 2. The Slapstick Exemption
  2. pp. 37-62
  3. restricted access
    • Download PDF Download
  1. 3. Harold Lloyd, Buster Keaton, and the Classical Style
  2. pp. 63-94
  3. restricted access
    • Download PDF Download
  1. Part II - The Silent Era
  1. 4. Chaplin’s Filmmaking Technique
  2. pp. 97-126
  3. restricted access
    • Download PDF Download
  1. 5. Chaplin’s Filmmaking Philosophy
  2. pp. 127-162
  3. restricted access
    • Download PDF Download
  1. 6. A Masterpiece of Mediation: City Lights
  2. pp. 163-188
  3. restricted access
    • Download PDF Download
  1. Part III - The Sound Era
  1. 7. Dangerous Voices: Modern Times and The Great Dictator
  2. pp. 209-234
  3. restricted access
    • Download PDF Download
  1. 8. Substituting Speech for Style: Monsieur Verdoux, Limelight, and A King in New York
  2. pp. 235-268
  3. restricted access
    • Download PDF Download
  1. 9. Return to Form: A Countess from Hong Kong
  2. pp. 269-288
  3. restricted access
    • Download PDF Download
  1. Epilogue: The Chaplin Century
  2. pp. 289-296
  3. restricted access
    • Download PDF Download
  1. Notes
  2. pp. 297-324
  3. restricted access
    • Download PDF Download
  1. Bibliography
  2. pp. 325-334
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 335-341
  3. restricted access
    • Download PDF Download
  1. Images
  2. pp. 342-360
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.