In this Book

The Ohio State University Press
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summary
Why did nineteenth-century novels return, over and over again, to the scene of theater? Emily Allen argues that theater provided nineteenth-century novels, novelists, and critics with a generic figure that allowed them to position particular novels and novelistic genres within a complex literary field. Novel genres high and low, male and female, public and private, realistic and romantic, all came to identify themselves within a set of coordinates that included—if only for the purpose of exclusion—the spectacular figure of theater. This figure likewise provided a trope around and against which to construct images of readers and authors, images that most frequently worked to mediate between the supposedly private acts of reading and writing and the very public facts of the print market. In readings of novels by Burney, Austen, Scott, Dickens, Jewsbury, Flaubert, Braddon, and Moore, Allen shows how frequently theater appears as figure in novels of the nineteenth century, and how theater figures—actively and importantly—in what we have come to look back on as the history of the nineteenth-century novel. Theater Figures thus offers a new model for thinking about how theater helped produce changes in the nineteenth-century literary market. While previous critics have considered theater as an enabling foil for the novel—either a constitutive opposite or a constructive ally—Allen demonstrates how theater figures and tropes were used to negotiate competition among the novels and novelists eagerly seeking their share of the literary limelight.

Table of Contents

  1. Cover
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  1. Title Page, Copyright Page
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  1. Table of Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. pp. vii-viii
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  1. Introduction: Figuring Theater
  2. pp. 1-28
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  1. 1. Theatrical Reforms: Stage Fright and the Scene of Reading
  2. pp. 29-65
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  1. 2. Staging a Comeback: The Remasculization of the Novel
  2. pp. 66-98
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  1. 3. Heimlich Maneuvers: Domesticity, Theatricality, and the Abject
  2. pp. 99-134
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  1. 4. Mesdames Bovary: Performative Reading, Cultural Capital, and High Art
  2. pp. 135-169
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  1. 5. Performing Distinction: Elevating the Literary Sphere
  2. pp. 170-197
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  1. Conclusion
  2. pp. 198-202
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  1. Notes
  2. pp. 203-229
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  1. Bibliography
  2. pp. 230-243
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  1. Index
  2. pp. 244-254
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Additional Information

ISBN
9780814273425
Related ISBN
9780814251102
MARC Record
OCLC
607006188
Pages
250
Launched on MUSE
2015-01-01
Language
English
Open Access
No
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