In this Book
- Medea's Daughters: Forming and Performing the Woman Who Kills
- Book
- 2003
- Published by: The Ohio State University Press

summary
Jennifer Jones’s intriguing book explores the legal, cultural, and dramatic representations of six accused murderesses to look at how English-speaking society responded to and controlled anxiety over female transgressions. The woman who kills, in particular, the woman who kills a member of her own family has not only broken the law, she has also violated gender expectations. Jones argues that dramatic representations of criminal women, especially women who kill, proliferate during times of heightened feminist activity and that theatrical narratives, as evidenced in plays, television, and film, serve to contain women and deflect attention away from issues of women’s systematic repression. Medea’s Daughters focuses on six women (of whom Lizzie Borden, Susan Smith, and Louise Woodward are the best known) whose murder trials caught the attention of their respective cultures. This broad spectrum allows an examination of how women’s legal status has evolved over five centuries.
Table of Contents

- Table of Contents
- p. vii
- Acknowledgments
- p. viii
- Chapter 3. A Jury of Her Peers
- pp. 39-55
- Chapter 5. Medea Returns
- pp. 73-87
- Chapter 6. Narratives of Resistance
- pp. 88-100
- Afterword: Andrea Yates
- pp. 101-102
- Bibliography
- pp. 112-120
Additional Information
ISBN
9780814273487
Related ISBN(s)
9780814251140
MARC Record
OCLC
647064783
Pages
216
Launched on MUSE
2015-01-01
Language
English
Open Access
Yes