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From Old Woman to Older Women: Contemporary Culture and Women's Narratives

Book
2003
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summary
Sally Chivers provides a fascinating look at and challenge to how North American popular culture has portrayed old age as a time of disease, decline, and death. Within contemporary Canadian literary and film production, a tradition of articulate central elderly female characters challenges what the aging body has come to signify in a broader cultural context. Rather than seek positive images of aging, which can do their own prescriptive damage, the author focuses on constructive depictions that provide a basis on which to create new stories and readings of growing old. This type of humanities approach to the study of aging promises neither to fixate on nor avoid consideration of the role of the body in the much broader process of getting older. The progression implied in the title from the solitary symbol of The Old Woman toward a community of older women, indicates not a move toward euphemism, but rather an increasing and necessary awareness of the social and cultural dimensions of aging.

Table of Contents

Cover

Title Page, Copyright, Dedication

Contents

pp. vii-vii

Preface: Old Age, Literature, and Potential

pp. ix-xvi

Introduction: Situating Old Women: Fields of Inquiry

pp. xvii-xlvii

1. The Mirror Has Two Faces: Simone de Beauvoir's and Margaret Laurence's Ambivalent Representations

pp. 1-32

2. Generation Gaps and the Potential of Grandmotherhood

pp. 33-56

3. "Here, Every Minute Is Ninety Seconds": Fictional Perspectives on Nursing Home Care

pp. 57-78

4. "Living Life Seriatim": Friendship and Interdependence in Late-Life Fiction and Semifiction

pp. 79-96

Conclusion

pp. 97-100

Notes

pp. 101-105

Works Cited

pp. 107-113

Index

pp. 115-119
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