In this Book

summary
While more than 80 percent of the world’s commercial music is controlled by four multinational firms, most music is made and enjoyed in diverse situations divorced from such corporate behemoths. These fourteen original essays examine the fascinating world of “music scenes,” those largely inconspicuous sites where clusters of musicians, producers, and fans explore their common musical tastes and distinctive lifestyle choices. Although most music scenes come and go with hardly a trace, they nevertheless give immense satisfaction to their participants, and a few—New York bop jazz, Merseybeat, Memphis rockabilly, London punk, Bronx hip-hop—achieve fame and spur musical innovations. To date, serious study of the scenes phenomenon has focused mainly on specific music scenes while paying less attention to recurrent dynamics of scene life, such as how individuals construct and negotiate scenes to the various activities. This volume remedies that neglect. The editors distinguish between three types of scenes—local, translocal, and virtual—which provide the organizing framework for the essays. Aspects of local scenes, which are confined to specific areas, are explored through essays on Chicago blues, rave, karaoke, teen pop, and salsa. The section on translocal scenes, which involve the coming together of scattered local scenes around a particular type of music and lifestyle, includes articles on Riot Grrrls, goths, art music, and anarcho-punk. Aspects of virtual scenes, in which fans communicate via the internet, are illustrated using alternative country, the Canterbury sound, post-rock, and Kate Bush fans. Also included is an essay that shows how the social conditions in places where jazz was made influenced that music’s development.

Table of Contents

  1. Cover
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  1. Contents
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  1. Acknowledgments
  2. p. xi
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  1. Notes on Contributors
  2. pp. xiii-xvi
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  1. Introducing Music Scenes
  2. pp. 1-15
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  1. Jazz Places
  2. pp. 17-27
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  1. Part I: Local Scenes
  2. p. 29
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  1. 1. The Symbolic Economy of Authenticity in the Chicago Blues Scene
  2. pp. 31-47
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  1. 2. Behind the Rave: Structure and Agency in a Rave Scene
  2. pp. 48-63
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  1. 3. “Scenes” Dimensions of Karaoke in the United States
  2. pp. 64-79
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  1. 4. “Tween” Scene: Resistance within the Mainstream
  2. pp. 80-95
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  1. 5. “Doin’ It Right”: Contested Authenticity in London’s Salsa Scene
  2. pp. 96-112
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  1. Part II: Translocal Scenes
  2. p. 113
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  1. 6. “Riot Grrrl Is . . .”: Contestation over Meaning in a Music Scene
  2. pp. 115-130
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  1. 7. Translocal Connections in the Goth Scene
  2. pp. 131-148
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  1. 8. Music Festivals as Scenes: Examples from Serious Music, Womyn’s Music, and SkatePunk
  2. pp. 149-167
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  1. 9. “Not for Sale”: The Underground Network of Anarcho-Punk
  2. pp. 168-183
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  1. Part III: Virtual Scenes
  2. p. 185
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  1. 10. Internet-based Virtual Music Scenes: The Case of P2 in Alt.Country Music
  2. pp. 187-204
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  1. 11. New Tales from Canterbury: The Making of a Virtual Scene
  2. pp. 205-220
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  1. 12. The Fanzine Discourse over Post-rock
  2. pp. 221-237
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  1. 13. Kate Bush: Teen Pop and Older Female Fans
  2. pp. 238-253
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  1. Index
  2. pp. 255-264
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Additional Information

ISBN
9780826591814
Related ISBN
9780826514509
MARC Record
OCLC
62216187
Pages
272
Launched on MUSE
2012-01-01
Language
English
Open Access
No
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