In this Book

The Ohio State University Press
summary
Mutha’ is Half a Word: Intersections of Folklore, Vernacular, Myth, and Queerness in Black Female Culture explores the importance of sexual desire in the formation of radical Black females’ subjectivities in Black women’s culture through the trope of the indefinable trickster figure. L. H. Stallings offers distinct close readings of understudied African American women’s texts through a critical engagement with folklore and queer theory. To date, most studies on the trickster figure have rarely reflected the boldness and daring of the figure itself. Emblematic of change and transgression, the trickster has inappropriately become the methodological tool for conservative cultural studies analysis. Mutha’ is Half a Word strives to break that convention. This book provides a much-needed analysis of trickster tradition in regard to gender, sexuality, and Black female sexual desire. It is the only study to focus specifically on trickster figures and African American female culture. In addition, it contributes to conversations regarding the cultural representation of Black female desire in ways that are not strategically invested in heteronormative binaries of male/female and heterosexual/homosexual. The study is distinctly different because it explores folklore, vernacular, and trickster strategies of queerness alongside theories of queer studies to create new readings of desire in literary texts, hip-hop and neo-soul music, and comedic performances by Black females.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Table of Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-xi
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  1. Preface: A Preface on Behalf of Sex Itself (Written by Herself)
  2. pp. xii-xvi
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  1. Introduction
  2. pp. 1-32
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  1. 1. The Black Woman and the Trickster Trope of Unnaming
  2. pp. 33-81
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  1. 2. The Erotics of a Healing Subjectivity: Sexual Desire, the Spirit, and the Divine Nature of Trickster
  2. pp. 82-112
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  1. 3. "Mutha' Is Half a Word!": Tar Baby Trope and Blue Material in Black Female Comedy
  2. pp. 113-149
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  1. 4. Badd-Nasty: Tricking the Tropes of the Bad Man/Nigga and Queen B(?)
  2. pp. 150-183
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  1. 5. The Black and White of Queen B(?)'s Play
  2. pp. 184-220
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  1. 6. Queen B(?)'s Queering of Neo-Soul Desire
  2. pp. 221-255
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  1. 7. Representin' for the Bitches: Queen B(?) in Hip-Hop Culture
  2. pp. 256-280
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  1. Conclusion: Trickster's Gift: A Language of Sexual Rights through Polymorphous Erotics and Voluptuous Black Women's Sexualities
  2. pp. 281-294
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  1. Notes
  2. pp. 295-310
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  1. Works Cited
  2. pp. 311-328
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  1. Index
  2. pp. 329-334
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Additional Information

ISBN
9780814272138
Related ISBN
9780814210567
MARC Record
OCLC
1228476203
Pages
334
Launched on MUSE
2021-01-01
Language
English
Open Access
Yes
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