In this Book

The Ohio State University Press
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How do novels that literally discuss invention and inventors engage through such discussions an array of critically important conversations and issues beyond invention? And to where and how can we trace and follow such discourses? In Where the World Is Not: Cultural Authority and Democratic Desire in Modern American Literature, Kim Savelson examines the ways in which resoundingly popular U.S. novels by Frank Norris, Willa Cather, F. Scott Fitzgerald, and Ralph Ellison host the tug-of-war between thought and action, between the democratic agenda of the pragmatist movement and the aristocratic idea of aesthetics. Savelson argues for and reads these novels as a way of thinking through the implications for the meaning and making of “culture” brought about by the ongoing social revolution of democratic modernity. She thus expands the scope of the current work being done on pragmatism, as well as the work being done on literature and democracy, carving out an intersection of these two fields. Savelson demonstrates that the questions under her consideration appeared at different key moments over the course of the first half of the twentieth century, embodying and deepening the struggle between the abstract and the practical, the cultural and the commercial—a struggle that turned into a dilemma and a period of growth for modern democratic desire. In so doing, she offers a historical recontextualization of selected literary texts, analyzing them as a way of thinking about intellectual history with subtlety and particularity.

Table of Contents

  1. Cover
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  1. Title Page, Copyright
  2. pp. i-viii
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  1. Table of Contents
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Introduction: Democracy Stumbling: Inventing, Democratic Desire, and the Will to Believe
  2. pp. 1-22
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  1. 1. A Plea for Pure Culture: The Pure Science Ideal
  2. pp. 23-40
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  1. 2. The Romance of Process: Means Meets Ends in Frank Norris's McTeague
  2. pp. 41-59
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  1. 3. "Where the World is Not:" Cultural Interest and Disinterest in Willa Cather's The Professor's House
  2. pp. 60-76
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  1. 4. Classes and Masses: Willa Cather's "Purely Cultural Studies" and the "New Commercialism"
  2. pp. 77-108
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  1. 5. "Missionaries of Culture:" DuBois' "Higher Aims" in Ellison's Invisible Man
  2. pp. 109-140
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  1. Coda
  2. pp. 141-142
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  1. Notes
  2. pp. 143-180
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  1. Bibliography
  2. pp. 181-188
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  1. Index
  2. pp. 189-197
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