In this Book

The Ohio State University Press
summary
Paula Marie Seniors’s Beyond Lift Every Voice and Sing is an engaging and well-researched book that explores the realities of African American life and history as refracted through the musical theater productions of one of the most prolific black song-writing teams of the early twentieth century. James Weldon Johnson, J. Rosamond Johnson, and Bob Cole combined conservative and progressive ideas in a complex and historically specific strategy for overcoming racism and its effects. In Shoo Fly Regiment (1906–1908) and The Red Moon (1908–1910), theater, uplift, and politics collided as the team tried to communicate a politics of uplift, racial pride, gender equality, and interethnic coalitions. The overarching question of this study is how roles and representations in black musical theater both reflected and challenged the dominant social order. While some scholars dismiss the team as conformists, Seniors’s contention is that they used the very tools of hegemony to make progressive political statements and to create a distinctly black theater informed by black politics, history, and culture. These men were writers, musicians, actors, and vaudevillians who strove to change the perception of African Americans on stage from one of minstrelsy buffoonery to one of dignity and professionalism.

Table of Contents

  1. Cover
  2. open access Download |
  1. Title Page, Copyright
  2. pp. i-vi
  3. open access Download |
  1. Table of Contents
  2. pp. vii-viii
  3. open access Download |
  1. List of Illustrations
  2. pp. ix-x
  3. open access Download |
  1. Acknowledgments
  2. pp. xi-xviii
  3. open access Download |
  1. Introduction
  2. pp. 3-10
  3. open access Download |
  1. 1. The Origins of the Cole and Johnson Musical Theater Team
  2. pp. 11-38
  3. open access Download |
  1. 2. Cole and Johnson's Social and Political Thought: The Case of Shoo Fly Regiment and the Spanish-American War
  2. pp. 39-70
  3. open access Download |
  1. 3. Theatrical Imaginings: Cole and Johnson's The Shoo Fly Regiment
  2. pp. 71-96
  3. open access Download |
  1. 4. The Red Moon: The Interconnections between Theater and History, the Black and Native Americanization Program at Hampton Institute
  2. pp. 97-158
  3. open access Download |
  1. 5. Cole and Johnson and the Gibson Gal: Gender, Race, and Uplift
  2. pp. 159-188
  3. open access Download |
  1. Epilogue
  2. pp. 189-190
  3. open access Download |
  1. Notes
  2. pp. 191-234
  3. open access Download |
  1. Bibliography
  2. pp. 235-270
  3. open access Download |
  1. Index
  2. pp. 271-293
  3. open access Download |
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.