In this Book

Woody on Rye: Jewishness in the Films and Plays of Woody Allen

Book
Edited by Vincent Brook and Marat Grinberg
2013
summary
Although Woody Allen’s films have received extensive attention from scholars and critics, no book has focused exclusively on Jewishness in his work, particularly that of the late 1990s and beyond. In this anthology, a distinguished group of contributors—whose work is richly contextualized in the fields of literature, philosophy, film, theater, and comedy—examine the schlemiel, Allen and women, the Jewish take on the “morality of murder,” Allen’s take on Hebrew scripture and Greek tragedy, his stage work, his cinematic treatment of food and dining, and what happens to “Jew York” when Woody takes his films out of New York City. Considered together, these essays delineate the intellectual, artistic, and moral development of one of cinema’s most durable and controversial directors.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright Page

pp. 2-7

Table of Contents

pp. vii-viii

Introduction

pp. ix-xxxiv

Overview

The Gospel According to Woody by Vincent Brook

pp. 3-34

Comparative Analysis

The Birth of a Hebrew Tragedy by Marat Grinberg

pp. 37-57

A Jew Leaves New York by Curtis Maloley

pp. 58-76

Schlemiel Theory

Woody Allen’s Schlemiel by Menachem Feuer

pp. 79-99

"Woody the Gentile" by Joshua Louis Moss

pp. 100-121

“Now You See Him, Now You Don’t” by Peter J. Bailey

pp. 122-140

Women's Issues

Woody's Women by Giovanna P. Del Negro

pp. 143-170

Reconstructing Woody by Shaina Hammerman

pp. 171-189

"Toot, Toot, Tootsie! (Goodbye)" by Elliot Shapiro

pp. 190-212

Cultural Studies

Digesting Woody by Nathan Abrams

pp. 215-234

Schlemiel on Broadway by James Fisher

pp. 235-258

Woody Allen: Filmography

pp. 259-260

Woody Allen: Play List

pp. 261-262

List of Contributors

pp. 263-266

Index

pp. 267-278
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