In this Book

Playful, Glad, and Free: Karl Barth and a Theology of Popular Culture

Book
Edited by Jessica DeCou
2013
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summary
This book offers a critical analysis and reinterpretation of Karl Barths theology of culturethe least studied aspect of his workrevealing his significance for contemporary work in theology of culture by applying his approach to the study of popular culture and entertainment. Grounding the study in Barths eschatology, which proves more amenable to secular culture than other models, DeCou shows that Barths approach recognized that the freedom of theology is qualified by the freedom of the Word and the freedom of secular culture. Barth therefore offers a middle way for evaluating and analyzing culture and religious forms. This book thus opens up a new avenue of interpretation of Barth and applies the insights of Barths theology in fresh ways to the structures of contemporary culture and its products.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. 2-5

Contents

pp. v-viii

Acknowledgments

pp. ix-xii

Abbreviations

pp. xiii-xiv

Introduction

pp. 1-26

Part I. Karl Barth’s Theology of Culture

pp. 27-28

1. Geistproblem and Kulturproblem: Barth’s Response to Schleiermacher

pp. 29-54

2. “Serious” Questions about “True Words” in Culture: Barth’s Approach to Culture in CD IV/3

pp. 55-82

3. Re-Creation and Recreation: Barth’s Eschatological Perspective on Culture

pp. 83-114

4. Encounter in Freedom, Unity in Play: Barth’s Hermeneutic of Culture

pp. 115-142

Part II. Toward a Barthian Theology of Popular Culture

pp. 143-144

5. Affirmation or Abomination: Barth and Popular Entertainment

pp. 145-178

6. Summoned to Play Properly: Honest Work and the Theologian of Popular Culture

pp. 179-200

7. “(Titles Are Hard)”: Honest Work and the Task of Popular Entertainment

pp. 201-256

Bibliography

pp. 257-264

Index

pp. 265-268

Back Cover

pp. 284-284
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