In this Book

Inspired by the foreign policy entanglements of recent years, William V. Spanos offers a dramatic interpretation of Twain's classic A Connecticut Yankee in King Arthur's Court, offering a heretofore unexplored assessment of American exceptionalism and the place of a global America in the American imaginary. Spanos insists that Twain identifies with his protagonist, particularly in his defining use of the spectacle, and thus with an American exceptionalism that uncannily anticipates the George W. Bush administration's normalization of the state of exception and the imperial policy of "preemptive war," unilateral "regime change," and "shock and awe" tactics. Equally stimulating is Spanos's thoroughly original ontology of American exceptionalism and imperialism and his tracing of these forces through a chronological examination of Twain studies and criticism over the past century.

As an examination of an overlooked text and a critical history of American studies from its origins in the nation-oriented "Myth and Symbol" school of the Cold War era into its present globalizing or transnationalizing perspective, Shock and Awe will appeal to a broad audience of American literature scholars and beyond.

Table of Contents

  1. Cover
  2. p. C
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  1. Title Page, About the Series, Other Works in the Series, Copyright, Dedication
  2. pp. i-viii
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  1. Contents
  2. pp. ix-x
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  1. Preface
  2. pp. xi-xvi
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  1. Acknowledgments
  2. pp. xvii-xviii
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  1. 1 | American Exceptionalism: A Genealogy
  2. pp. 1-28
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  1. 2 | "A Connecticut Yankee" as American Jeremiad: The Historical Context
  2. pp. 29-42
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  1. 3 | Americanist Criticism of "A Connecticut Yankee": A Critical History
  2. pp. 43-96
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  1. 4 | Staging the Spectacle: A Contrapuntal Reading of "A Connecticut Yankee"
  2. pp. 97-156
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  1. 5 | "A Connecticut Yankee" and America’s 'War on Terror': Thinking the Spectacle
  2. pp. 157-178
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  1. Notes
  2. pp. 179-214
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  1. Index
  2. pp. 215-222
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Additional Information

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MARC Record
Launched on MUSE
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