In this Book

The Archival Turn in Feminism: Outrage in Order

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2013
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summary
In the 1990s, a generation of women born during the rise of the second wave feminist movement plotted a revolution. These young activists funneled their outrage and energy into creating music, and zines using salvaged audio equipment and stolen time on copy machines. By 2000, the cultural artifacts of this movement had started to migrate from basements and storage units to community and university archives, establishing new sites of storytelling and political activism.
 
The Archival Turn in Feminism chronicles these important cultural artifacts and their collection, cataloging, preservation, and distribution. Cultural studies scholar Kate Eichhorn examines institutions such as the Sallie Bingham Center for Women’s History and Culture at Duke University, The Riot Grrrl Collection at New York University, and the Barnard Zine Library. She also profiles the archivists who have assembled these significant feminist collections.
 
Eichhorn shows why young feminist activists, cultural producers, and scholars embraced the archive, and how they used it to stage political alliances across eras and generations.

A volume in the American Literatures Initiative

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. 2-5

Contents

pp. v-vi

Preface

pp. vii-xii

Introduction

pp. 1-24

1. The "Scrap Heap" Reconsidered: Selected Archives of Feminist Archiving

pp. 25-54

2. Archival Regeneration: The Zine Collections at the Sallie Bingham Center

pp. 55-84

3. Redefining a Movement: The Riot Grrrl Collection at Fales Library and Special Collections

pp. 85-122

4. Radical Catalogers and Accidental Archivists: The Barnard Zine Library

pp. 123-154

Conclusion

pp. 155-160

Notes

pp. 161-178

Works Cited

pp. 179-184

Index

pp. 185-188

About the Author

pp. 204-204
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