In this Book

The Changing Room: Selected poetry of Zhai Yongming

Book
Translated by Andrea Lingenfelter
2011
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summary
The author of six volumes of poetry, Zhai Yongming first became prominent in the mid-1980s with the publication of her twenty-poem cycle, "Woman," a work that forcefully articulated a female point-of-view in China??s largely patriarchal society. Her powerful imagery and forthright voice resonated with many readers. Zhai has continued to hone her critique of tranditional attitudes towards women, quickly becoming one of China??s foremost feminist voices and a major force in the contemporary literary scene. She is also an installation artist and prolific essayist, and stages poetry readings and other cultural events at the bar she owns in her native Chengdu.

Table of Contents

Title Page, Copyright Page

pp. 1-4

Contents

pp. v-vi

Introduction

pp. vii-x

Translator’s Foreword

pp. xi-xviii

Premonition

pp. 2-3

Abandoned House

pp. 4-5

Desire

pp. 6-7

Margins

pp. 8-9

Revolving

pp. 10-11

The First Month

pp. 12-15

The Second Month

pp. 16-17

The Fifth Month

pp. 18-19

The Twelfth Month

pp. 20-23

The Black Room

pp. 24-25

White Corridor

pp. 26-29

My Bat

pp. 30-33

Doll

pp. 34-35

from Portrait

pp. 36-37

from Body

pp. 38-39

Fourteen Plainsongs

pp. 40-67

Scissorhands' Dialogue

pp. 68-75

The Blind Masseur and Some of his Methods

pp. 76-85

The Changing Room

pp. 86-91

My Younger Brother in the Water

pp. 92-97

Straw

pp. 98-99

Reading the News

pp. 100-101

Daylight Slumbers

pp. 102-103

For Lu De'an

pp. 104-105

Hypnosis

pp. 106-107

Natural Enemies

pp. 108-109

I'm Drunk and You're Dry

pp. 110-113

Fireworks and Working Girls

pp. 114-115

In the End I Come Up Short

pp. 116-117

Things Are Always Like That

pp. 118-121

Chrysanthemum Langerns Go Floating By

pp. 122-125

Climbing the Heights on the Double Ninth

pp. 126-129

The Submarine's Lament

pp. 130-133

Lightly Injured People

pp. 134-137

Her Point of View

pp. 138-139

The Song of Historical Beauties

pp. 140-147

Report on a Child Prostitute

pp. 148-153

The Language of the 50s

pp. 154-157

The Testament of Hu Huishan

pp. 158-162

Bidis

pp. 163-184
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