In this Book

Historicizing Fat in Anglo-american Culture

Book
Edited by Elena Levy-Navarro
2010
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Historicizing Fat in Anglo-American Culture, edited by Elena Levy-Navarro, is the first collection of essays to offer a historical consideration of fat bodies in Anglophone culture. The interdisciplinary essays cover periods from the medieval to the contemporary, mapping out a new terrain for historical consideration. These essays question many of the commonplace assumptions that circulate around the category of fat: that fat exists as a natural and transhistorical category; that a premodern period existed which universally celebrated fat and knew no fatphobia; and that the thin, youthful body, as the presumptively beautiful and healthy one, should be the norm by which to judge other bodies. The essays begin with a consideration of the interrelationship between the rise of weight-watching and the rise of the novel. The essays that follow consider such wide-ranging figures as the fat child’s body as a contested site in post-Blair U.K. and in Lord of the Flies; H. G. Wells; Wilkie Collins’s subversively performative Fosco; Ben Jonson; the voluptuous Lillian Russell; Shakespeare’s Venus and Adonis; the opera diva; and the fat feminist activists of recent San Francisco. In developing their histories in a self-conscious way that addresses the pervasive fatphobia of the present-day Anglophone culture, Historicizing Fat suggests ways in which scholarship and criticism in the humanities can address, resist, and counteract the assumptions of late modern culture.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. 2-7

Contents

pp. vii-viii

Illustrations

pp. ix-x

Acknowledgments

pp. xi-xii

Introduction: Changing Conceptions of the Fat Body in Western History

pp. 1-16

Section One • Foundations

1. Fat Is a Fictional Issue: The Novel and the Rise of Weight-Watching

pp. 19-40

Section Two • Fat and Empire

2. “Kill the Pig!”: Lord of the Flies, “Piggy,” and Anti-Fat Discourse

pp. 43-65

3. “The Fattest Clubman in London”: H. G. Wells’s “The Truth about Pyecraft” and the Culture of Reducing in England at the Turn of the Twentieth Century

pp. 66-88

4. Fosco’s Fat Drag: Performing the Victorian Fat Man in Wilkie Collins’s The Woman in White

pp. 89-108

Section Three • Fat, Class, and Culture

5. “As Horace Fat” in a Thin Land: Ben Jonson’s Experience and Strategy

pp. 111-128

6. American Excess: Cultural Representations of Lillian Russell in Turn-of-the-Century America

pp. 129-145

7. Greedy Bastards: Fat Kids, Class War, and the Ideology of Classlessness

pp. 146-172

Section Four • Fat and Normativity

8. Resisting Fatphobia in the Critical Tradition of Venus and Adonis

pp. 175-191

9. “It’s Not Over Till the Fat Lady Sings”: The Weight of the Opera Diva

pp. 192-212

10. Fat’s No Four-Letter Word: Fat Feminism and Identity Politics in the 1970s and 1980s

pp. 213-244

Contributors

pp. 245-248

Index

pp. 249-254
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