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  • Doris Lessing: Interrogating the Times
  • Book
  • Edited by Debrah Raschke, Phyllis Sternberg Perrakis, and Sandra Singer
  • 2010
  • Published by: The Ohio State University Press
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summary
Doris Lessing: Interrogating the Times wrestles with the ghosts that continue to haunt our most pressing twenty-first-century concerns: how to reconceive imprisoning conceptions of sexuality and gender, how to define terrorism, how to locate the personal, and how to write on race and colonialism in an ever-slippery postmodern world. This collection of essays clearly establishes Lessing’s importance as a unique and necessary voice in contemporary literature and life. In tracing the evolution in Lessing’s representations of controversial subjects, this volume shows how new cultural and political contexts demand new solutions. Focusing on Lessing’s experiments with genre and on the ramifications of narrative itself, the collection asks readers to reformulate some of their most taken-for-granted assumptions about the contemporary world and their relation to it. Contributors to Doris Lessing: Interrogating the Times assess Lessing’s vision of the past and its relevance for the future by revisiting texts from the beginning of her career onward while at the same time probing previous interpretations of these works. These reassessments reveal Lessing’s continued role as a gadfly who, in disrupting rigid constructions of right and wrong and of good and evil, forces her readers to move beyond “you are damned, we are saved” narratives. As rationales such as these continue to permeate global venues, Lessing’s oeuvre becomes increasingly relevant.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, copyright
  2. pp. 2-5
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  1. Contents
  2. pp. v-vi
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  1. Illustrations
  2. pp. vii-9
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  1. Acknowledgments
  2. pp. ix-11
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  1. Introduction
  2. pp. 1-8
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  1. Part One. Joining the Centuries: Lessing from the Twentieth to the Twenty-First Century
  2. pp. 9-21
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  1. 1. Notes for Proteus: Doris Lessing Reads the Zeitgeist
  2. pp. 11-31
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  1. 2. “Anon,” “Free Women,” and the Pleasures of Impersonality
  2. pp. 32-57
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  1. 3. House/Mother: Lessing’s Reproduction of Realism in The Sweetest Dream
  2. pp. 58-74
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  1. Part Two. Engaging the Postmodern Death of History: Redefining Context and Historical Narrative
  2. pp. 75-87
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  1. 4, “What Is the Function of the Storyteller?”: The Relationship between Why and How Lessing Writes
  2. pp. 77-91
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  1. 5. London and Kabul: Assessing the Politics of Terrorist Violence
  2. pp. 92-112
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  1. 6. The Porous Border between Fact and Fiction, Empathy and Identification in Doris Lessing’s The Cleft
  2. pp. 113-129
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  1. Part Three. Destabilized Genre as Social Critique
  2. pp. 131-143
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  1. 7. love, again and The Sweetest Dream: Fiction and Interleaved Fictions
  2. pp. 133-148
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  1. 8. Writing in a Minor Key: Doris Lessing’s Late-Twentieth-Century Fiction
  2. pp. 149-161
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  1. Part Four. Reflections on Early, Midlife, and Later-Life Lessing
  2. pp. 163-175
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  1. 9. Domestic Spaces: Huts and Houses in Doris Lessing’s African Stories
  2. pp. 165-182
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  1. 10. The Challenge of Teaching Doris Lessing’s The Golden Notebook in the Twenty-First Century
  2. pp. 183-201
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  1. 11. Sex after Sixty: love, again and The Sweetest Dream
  2. pp. 202-210
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  1. Bibliography
  2. pp. 211-223
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  1. Notes on Contributors
  2. pp. 225-227
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  1. Index
  2. pp. 229-240
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