In this Book
Doris Lessing: Interrogating the Times
Book
2010
Published by:
The Ohio State University Press
summary
Doris Lessing: Interrogating the Times wrestles with the ghosts that continue to haunt our most pressing twenty-first-century concerns: how to reconceive imprisoning conceptions of sexuality and gender, how to define terrorism, how to locate the personal, and how to write on race and colonialism in an ever-slippery postmodern world. This collection of essays clearly establishes Lessing’s importance as a unique and necessary voice in contemporary literature and life.
In tracing the evolution in Lessing’s representations of controversial subjects, this volume shows how new cultural and political contexts demand new solutions. Focusing on Lessing’s experiments with genre and on the ramifications of narrative itself, the collection asks readers to reformulate some of their most taken-for-granted assumptions about the contemporary world and their relation to it.
Contributors to Doris Lessing: Interrogating the Times assess Lessing’s vision of the past and its relevance for the future by revisiting texts from the beginning of her career onward while at the same time probing previous interpretations of these works. These reassessments reveal Lessing’s continued role as a gadfly who, in disrupting rigid constructions of right and wrong and of good and evil, forces her readers to move beyond “you are damned, we are saved” narratives. As rationales such as these continue to permeate global venues, Lessing’s oeuvre becomes increasingly relevant.
Table of Contents
Cover
pp. 1-1
Title Page, copyright
pp. 2-5
Contents
pp. v-vi
Illustrations
pp. vii-9
Acknowledgments
pp. ix-11
Introduction
pp. 1-8
Part One. Joining the Centuries: Lessing from the Twentieth to the Twenty-First Century
pp. 9-21
1. Notes for Proteus: Doris Lessing Reads the Zeitgeist
pp. 11-31
2. âAnon,â âFree Women,â and the Pleasures of Impersonality
pp. 32-57
3. House/Mother: Lessingâs Reproduction of Realism in The Sweetest Dream
pp. 58-74
Part Two. Engaging the Postmodern Death of History: Redefining Context and Historical Narrative
pp. 75-87
4, âWhat Is the Function of the Storyteller?â: The Relationship between Why and How Lessing Writes
pp. 77-91
5. London and Kabul: Assessing the Politics of Terrorist Violence
pp. 92-112
6. The Porous Border between Fact and Fiction, Empathy and Identification in Doris Lessingâs The Cleft
pp. 113-129
Part Three. Destabilized Genre as Social Critique
pp. 131-143
7. love, again and The Sweetest Dream: Fiction and Interleaved Fictions
pp. 133-148
8. Writing in a Minor Key: Doris Lessingâs Late-Twentieth-Century Fiction
pp. 149-161
Part Four. Reflections on Early, Midlife, and Later-Life Lessing
pp. 163-175
9. Domestic Spaces: Huts and Houses in Doris Lessingâs African Stories
pp. 165-182
10. The Challenge of Teaching Doris Lessingâs The Golden Notebook in the Twenty-First Century
pp. 183-201
11. Sex after Sixty: love, again and The Sweetest Dream
pp. 202-210
Bibliography
pp. 211-223
Notes on Contributors
pp. 225-227
Index
pp. 229-240
| ISBN | 9780814270882 |
|---|---|
| Related ISBN(s) | 9780814211366 |
| MARC Record | Download |
| OCLC | 868220294 |
| Pages | 240 |
| Launched on MUSE | 2014-01-01 |
| Language | English |
| Open Access | Yes |


