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Doris Lessing: Interrogating the Times

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Edited by Debrah Raschke, Phyllis Sternberg Perrakis, and Sandra Singer
2010
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summary
Doris Lessing: Interrogating the Times wrestles with the ghosts that continue to haunt our most pressing twenty-first-century concerns: how to reconceive imprisoning conceptions of sexuality and gender, how to define terrorism, how to locate the personal, and how to write on race and colonialism in an ever-slippery postmodern world. This collection of essays clearly establishes Lessing’s importance as a unique and necessary voice in contemporary literature and life. In tracing the evolution in Lessing’s representations of controversial subjects, this volume shows how new cultural and political contexts demand new solutions. Focusing on Lessing’s experiments with genre and on the ramifications of narrative itself, the collection asks readers to reformulate some of their most taken-for-granted assumptions about the contemporary world and their relation to it. Contributors to Doris Lessing: Interrogating the Times assess Lessing’s vision of the past and its relevance for the future by revisiting texts from the beginning of her career onward while at the same time probing previous interpretations of these works. These reassessments reveal Lessing’s continued role as a gadfly who, in disrupting rigid constructions of right and wrong and of good and evil, forces her readers to move beyond “you are damned, we are saved” narratives. As rationales such as these continue to permeate global venues, Lessing’s oeuvre becomes increasingly relevant.

Table of Contents

Cover

pp. 1-1

Title Page, copyright

pp. 2-5

Contents

pp. v-vi

Illustrations

pp. vii-9

Acknowledgments

pp. ix-11

Introduction

pp. 1-8

Part One. Joining the Centuries: Lessing from the Twentieth to the Twenty-First Century

pp. 9-21

1. Notes for Proteus: Doris Lessing Reads the Zeitgeist

pp. 11-31

2. “Anon,” “Free Women,” and the Pleasures of Impersonality

pp. 32-57

3. House/Mother: Lessing’s Reproduction of Realism in The Sweetest Dream

pp. 58-74

Part Two. Engaging the Postmodern Death of History: Redefining Context and Historical Narrative

pp. 75-87

4, “What Is the Function of the Storyteller?”: The Relationship between Why and How Lessing Writes

pp. 77-91

5. London and Kabul: Assessing the Politics of Terrorist Violence

pp. 92-112

6. The Porous Border between Fact and Fiction, Empathy and Identification in Doris Lessing’s The Cleft

pp. 113-129

Part Three. Destabilized Genre as Social Critique

pp. 131-143

7. love, again and The Sweetest Dream: Fiction and Interleaved Fictions

pp. 133-148

8. Writing in a Minor Key: Doris Lessing’s Late-Twentieth-Century Fiction

pp. 149-161

Part Four. Reflections on Early, Midlife, and Later-Life Lessing

pp. 163-175

9. Domestic Spaces: Huts and Houses in Doris Lessing’s African Stories

pp. 165-182

10. The Challenge of Teaching Doris Lessing’s The Golden Notebook in the Twenty-First Century

pp. 183-201

11. Sex after Sixty: love, again and The Sweetest Dream

pp. 202-210

Bibliography

pp. 211-223

Notes on Contributors

pp. 225-227

Index

pp. 229-240
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