In this Book

Charlotte Perkins Gilman: New Texts, New Contexts

Book
Edited by Jennifer S. Tuttle and Carol Farley Kessler
2011
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summary
During her lifetime, Charlotte Perkins Gilman (1860–1935) was a popular writer, public speaker, and social reformer whose literary interests ranged from short stories, novels, and nonfiction philosophical studies to poetry, newspaper columns, plays, and many other genres. Though she fell into obscurity after her death, there has been a resurgence of interest in Gilman’s works among literary scholars. Charlotte Perkins Gilman: New Texts, New Contexts represents a new phase of feminist scholarship in recovery, drawing readers’ attention to Gilman’s lesser-known works from fresh perspectives that revise what we thought we knew about the author and her work. Volume contributors consider an array of texts that have not yet enjoyed adequate critical scrutiny, including Gilman’s short fiction, drama, and writing for periodicals, as well as her long fiction. Similarly, incorporating careful archival, biographical, and historical research, contributors explore Gilman’s life and writings—including her most famous story, “The Yellow Wall-Paper”—through strikingly new critical lenses. Other essays included here assess Gilman’s place in a longer historical trajectory and within multiple rhetorical traditions, from the genre of feminist humor to the canon of African American women’s literary production.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. iii-iv

Contents

pp. v-vi

Acknowledgments

pp. v-vi

Introduction

pp. 1-24

I. Biographical & Critical Overview

1. “that pure New England stock”

pp. 27-43

2. Looking Backward

pp. 44-65

II. New Texts

3. The Torn Voice in“The Giant Wistaria” and “The Unnatural Mother”

pp. 69-84

4. An “Absent Mother”

pp. 85-102

5. Turning “The Balsam Fir” into Mag—Marjorie

pp. 103-121

6. “The Same Revulsion against Them All”

pp. 122-139

7. Doing It “man-fashion”

pp. 140-157

III. New Contexts

8. “There are things in that paper thatnobody knows but me”

pp. 161-179

9. The Yellow Newspaper

pp. 180-199

10. The Madwoman’s Other Sisters

pp. 200-221

11. Feminist Humor and Charlotte Perkins Gilman

pp. 222-249

Contributors

pp. 251-253

Index

pp. 255-266
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