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For Love or for Money: Balzac's Rhetorical Realism

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2011
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summary
Everyone agrees that Balzac is a realistic writer, but what do we actually mean when we say that? This book examines the richness and variety of Balzac’s approaches to realism, employing several different interpretive methods. Taking love and money as the “Prime Movers” of the world of La Comédie humaine, twenty-one chapters provide detailed analyses of the many strategies by which the writing forges the powerful impression of reality, the construction we famously think of as Balzacian realism. Each chapter sets the methods and aims of its analysis, with particular attention to the language that conveys the sense of reality. Plots, devices, or interpretive systems (including genealogies) function as images or reflections of how the novels make their meanings. The analyses converge on the central point: how did Balzac invent realism? No less than this fundamental question lies behind the interpretations this book provides, a question to which the conclusion provides a full answer. A major book in English devoted entirely to Balzac was overdue. Here is the American voice of Balzac studies, an engaging, insightful, and revealing excursion among the masterworks of one of the most important authors of all time.

Table of Contents

Cover

pp. 1-1

Title Page, Copyright

pp. 2-5

Contents

pp. v-vi

Illustrations

pp. vii-9

Acknowledgments

pp. ix-xi

1. Introduction: The Prime Movers

pp. 1-12

I. Rhetorical Forms of Realism

pp. 13-27

2. Mimetic Figures of Semiosis

pp. 15-31

3. From Heteronomy to Unity: Les Chouans

pp. 32-46

4. Tenebrous Affairs and Necessary Explications

pp. 47-62

5. Self-Narration and the Fakery of Imitation

pp. 63-79

6. The Double Representation of the History of César Birotteau

pp. 80-93

7. La Maison Nucingen, A Financial Narrative

pp. 94-106

II. Semiotic Images of Realism

pp. 107-121

8. Myth and Mendacity: Pierrette and Beatrice Cenci

pp. 109-127

9. The Corset of La vieille fille

pp. 128-138

10. Genealogy and the Unmarried in La Rabouilleuse

pp. 139-151

11. Ursule Mirouët: Genealogy and Inheritance

pp. 152-166

12. Un prince de la bohème and Pierre Grassou, or How Love Makes Money

pp. 167-174

13. Voyages of Reflection, Reflections on Voyages

pp. 175-191

III. Mimetic Structures of Realism

pp. 193-207

14. Balzac and Poe

pp. 195-207

15. Chemistry and Composition: La recherche de l’Absolu

pp. 208-220

16. The Capital of Money and the Science of Magnetism: Melmoth réconcilié

pp. 221-229

17. Love, Music, and Opium: Medical Semiotics of Massimilla Doni

pp. 230-241

18. The Language of Sex

pp. 242-258

19. Composed Past and Historical Present

pp. 259-269

20. Problems of Closure

pp. 270-291

21. Conclusion: Balzac’s Invention of Realism

pp. 292-306

Bibliography

pp. 307-316

Index

pp. 317-333
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